Why do young children love to draw on walls?

Young children love drawing on walls due to the stage of their physical development. They draw from the shoulder, rather than the elbow and wrist, using large arm movements. At this stage they prefer vertical drawing and painting surfaces as it allows a free range of movements. This is why they will write on walls (often newly decorated), not because they are meaning to be naughty but because it just feels comfortable and so more enjoyable.

Drawing and writing on a vertical surface is important at this stage as it helps young children develop the wrist strength and flexibility needed later to hold a pencil correctly for handwriting. Having the freedom to move more instinctively without restrictions means that a child is free to focus on other aspects, such as feeling the movement as they make shapes and gaining the confidence to have a go without fear of getting it wrong.

Case Study

Esme at the age of 3yrs 9mths was very happy to draw (more scribbling) and colour sitting at the table but Mum was not quite sure how to move her on. So, the following idea was suggested; to tape some large pieces of plain paper up on a suitable wall for her to draw on with appropriately sized pens, crayons or chalks.

This was the response:

Message from Mum was:

“She’s loving this idea. She did a triangle and a ‘s’ all on her own with no encouragement.”

As the day went on Esme revisited the drawing wall and later on that day this photo arrived: 

Message from Mum: “She just did her name.” This had been the first time she had done this.

An easel was then ordered!

The jump from a vertical to a horizontal writing surface can seem too great for some children; due to their stage of development. If they are still using some large whole arm and/or big elbow movements then they may benefit from the paper being positioned on a sloped board.

The Best Type of Paper for Teaching Handwriting

Just as the writing tool used by your child changes as they develop, so does the paper they write on.

Informal Pre-handwriting Pattern and Initial Letter Development

If your child is just starting out on the handwriting adventure then any type of plain paper (no ruled lines) is considered the best option, as many children find it less restrictive.

Young children, due to the stage of their physical development, use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines; you don’t want to restrict this movement as it can cause handwriting difficulties later. As their gross and fine motor skills develop so does their pencil grip and ability to draw and write at a smaller scale, moving more from the shoulder to elbow and wrist.

Formal Pre-handwriting Pattern and Letter Development

When your child is ready to refine their pre-handwriting pattern skills, or move on to forming letters, it is a good idea to use plain paper. The aim at this stage is to learn how to form the letters correctly, not size or neatness as that comes later.

Before moving to lined paper, to help your child begin to appreciate letter proportions and positioning, paper with picture clues can be used.

On our website the free writing paper and animations reinforce the idea of letter proportions and positioning by splitting the backgrounds into three colour zones to represent the sky, grass and earth. There are a number of reasons why this can be beneficial:

  • It can create a sub-conscious memory in your child’s mind of where particular letters sit in relation to others without the constraints of lines or obvious boundaries, especially as the picture can be any size. Children remember where to place the sun, grass or worms in their drawings; so why not letters?
  • It can be easier to talk through the formation of how a shape or letter is formed with pictorial and colour clues to guide and inform the direction of the movements required.     
  • As your child’s fine motor skills develop so the size of the picture/colour clues can be reduced to match their progress.

As your child’s fine motor skills develop it enables them to form smaller more refined versions of the letters and this is when it is more appropriate to use lined paper.

To download different line heights of our picture and coloured coded paper, scroll to the bottom of our ‘Handwriting Animations and Worksheets Page’: http://bit.ly/2F9P7cI

Teaching Letter Joins – A Systematic Approach

Continuous Cursive and Cursive font styles

We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

There are 4 main groups of letter joins; bottom joins, bottom to “c” shape joins, “e” joins (top and bottom join strokes) and top joins.

Moving from Cursive Single Letters to Joining

There are seven join strokes to be taught. Most children will find the bottom joins the easiest to achieve, as it only requires the extension of the exit stroke they already put on the letters. The bottom to “c” shape joins can be tricky at first but soon mastered. The joins that tend to cause the most confusion and difficulty are the “e” joiners and top exit joiners.

I would recommend teaching the bottom joins first, then the ‘e’ joins and finally the top exit letter joins.

Moving from Continuous Cursive Single Letters to Joining

There are three join strokes to be taught. The easiest is the bottom exit letters (the majority of the letters), all a child has to do is write the letters closer together without lifting their pencil off the paper. Only the top to “e” and top joiners need to be taught for continuous cursive, as the nature of the font style means that the lead-in and exit strokes needed to join the majority of letter combinations have already been taught.

I would recommend teaching the bottom joins first, then the top exit to ‘e’ join and finally the top exit letter joins.

For our free join animations and worksheets: http://bit.ly/2F9P7cI

For tips to support the teaching of joins scroll down our Teaching Tips section:  http://bit.ly/2AaX8sk

Letter Shape Play Ideas

Learning to handwrite does not start with pen and paper but through play, as children explore shape and motion (how the body moves) through their senses – touch, sight and body awareness. Play is such an important element of your child’s physical, emotional, social and academic development.

It is through play that you can really engage your child in learning how to correctly form pre-handwriting patterns and letters (the start points, orientation, directional movements and finish points).

Our non-pencil – ‘Big to Small’ activities are an easy fun way to start developing these skills early on through play: http://bit.ly/2AaX8sk   

Young children love seeing their name so it is a great way to introduce letter formation; here are some other fun ideas:

  • This activity can be done indoors on large sheets of paper or using chalk on a path or patio (the beach is also a great place to do this). Write your child’s name very big and make a mark on each letter that represents a start point (an arrow showing the direction of travel can also help). Remember to use a capital letter for the first letter of their name and we would suggest lower case letters for the remaining letters. Use the letters as a track for racing cars or toys. If you make the letters big enough your child could walk, hop, jump or skip around the letters. To help them remember the letters, once they have finished a letter, encourage them to say that letter’s alphabet name (NOT a sound the letter can make).
  • Collect stones, twigs, leaves, etc…  Use them to make the letters of your child’s name. They may only make one or two of the letters, before making a hedgehog house, nest or den for their toys becomes more interesting, but this does not matter, it is all part of the adventure.
  • Feely bag games are a fun way to explore shape and form. Try placing the letters of your child’s name into a bag or box they cannot see into. It is useful to talk through the letter shapes beforehand so they can see them as they move them about in their hands; then place them in the bag. Ask them to put their hands in (both hands if possible, but if not, then use the dominant hand) the bag, picks up a letter, feels it, identifies it and pulls it out to check only AFTER identifying it. If correct, they get to “keep” it, if wrong, you get to “keep” it. The winner is the one with the most letters at the end. For some children it can help to have another set of the letters outside the bag to help them identify the shape they are handling in the bag. Again, encourage them to use the alphabet name of the letter.
  • Play-dough, clay and Plasticine activities are great for developing hand strength for handwriting and learning how to form letter shapes.

Your child will love these sort of activities as they see it as just playing and they get your undivided attention. You will enjoy it as you are sharing quality time with your child helping them to develop more than just their letter formation ability but also their communication and social skills.

Learning through play is a powerful way of supporting your child’s development. So have fun and play!

When to Introduce Joined Handwriting

Here at Teach Children we believe that a child is only ready to start learning to join their handwriting when:

  • They have learnt to form all 26 lower-case letters correctly
  • Letters are of a consistent and suitable size (not necessarily the perfect size, remember big is beautiful)
  • Letters are positioned appropriately on the writing line as well as in relation to one another.

Children generally begin to join letters between the ages of 6 to 7 years old, depending on the handwriting font style being taught. Those taught a continuous cursive font style from the beginning tend to join much earlier due to the nature of this font (for some by the end of their Reception Year).

Children do not need to be able to remember how to correctly form all their capital letters before they are taught how to join their letters. This is because capital letters never join to the lower-case letters in a word. However, for these children correct capital letter formation needs to be taught alongside the introduction of letter joins.

The ultimate aim is for a child to develop a good handwriting style; which means;

  • They can produce and maintain a good speed
  • Have a fluid hand movement that is comfortable
  • Letters are of a consistent and appropriate size, positioned correctly
  • Handwriting is legible (so others can read it easily).

For some children (mainly SEND pupils) this may mean that they will always print or use a single letter form of writing as learning to join is just not appropriate. But that does not mean they will not comply with the bullet points above.

The Third Stage to #Handwriting Success – Joining

http://bit.ly/2F9P7cI

Here at Teach Handwriting we believe that a child is only ready to start learning to join their handwriting when:

  • They have learnt to form all 26 lower case letters correctly
  • Letters are of a consistent and suitable size (not necessarily the perfect size, remember big is beautiful)
  • Letters are positioned appropriately on the writing line as well as in relation to one another.

Children generally begin to join letters between the ages of 6 to 7 years old, depending on the handwriting font style being taught. Those taught a continuous cursive font style from the beginning tend to join much earlier due to the nature of this font (for some by the end of their Reception Year).

Children do not need to be able to remember how to correctly form all their capital letters before they are taught how to join their letters. This is because capital letters never join to the lower case letters in a word. However, for these children correct capital letter formation needs to be taught alongside the introduction of letter joins.

We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

We would recommend teaching the bottom joins first, then the top exit to ‘e’ join and finally the top exit letter joins.

For our free join animations and worksheets: http://bit.ly/2F9P7cI

For tips to support the teaching of joins check out our Teaching Tips section:  http://bit.ly/2AaX8sk

The Second Stage to #Handwriting Success – Single Letter Formation

https://teachhandwriting.co.uk/letter-animations-worksheets.html

Last week we explained that pre-handwriting patterns are the first stage of learning to handwrite. Once a child has mastered theses, they are ready to start learning how to form letters.

But where do you start?

Our view is to focus on lower-case letters first and only the capital letters for the first letter in a child’s, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Why?

  • One reason is that about 95% of what children write, and are exposed to, is in a lower-case form and only 5% in capital.
  • Lower-case letters are far less complicated, requiring fewer pencil lifts to complete the letters.
  • As both lower-case and capital letters require a child to form curved lines, a skill which most children have to practise, writing lower-case letters is no more difficult than writing capitals.
  • In a young child’s writing all the letters are initially the same size, whether they are capitals or lower case; it is part of the normal developmental path of handwriting. So, the view that teaching capitals letters is easier because they are bigger is not true.
  • Young children who have learnt mostly capital letters first find it difficult to stop, as it is so ingrained into the memory, often using them half way through words and sentences. Even when they are older this inappropriate use of capitals creeps back into their work especially if they are tired or concentrating hard on composing their work.

A child’s first major achievement, in their eyes, is to write their name. So, although concentrating on lower-case letters, teach them how to form the capital letter for the first letters of their name to get them excited about handwriting.

As they master the lower-case letters introduce the remainder of the capital letters. It is important that both are taught so that a child can develop a speedy, fluid and legible handwriting style.

Free Letter Formation Animations & Worksheets: http://bit.ly/2F9P7cI

Summer Fun Part 2 – Water, water everywhere!

Water fun 2

The SUN is out which makes it time for the water fights and games to begin.

It is August and for once, the weather is perfect, so why not set up water squirting games in the garden. The kids are waterproof and everything else will dry out, eventually!

How can water fights and games, where you can get wet, be handwriting and phonics homework?

You will be encouraging your child to develop their hand strength, co-ordination and eye tracking skills (all handwriting skills). However, these games are also fantastic for developing sound and word awareness skills.

Try mimicking the sounds that the water makes as it drips on to the floor or hits the targets; use directional language to support your child’s aiming skills; describe how the objects move when hit: bouncing, rolling or flying and talk through the emotions evoked through playing the games.

As well as supporting your child in developing a whole range of physical and language skills you will also increase your cool adult status.

Some fun water games:

  • Try setting up a target wall, using chalk to draw the targets.
    • How many of the targets can you hit with water squirted from a water pistol or squeeze bottle in a set time.
    • How many targets can be washed off.
  • Set up a skittles range.
    • Each skittle hit with water can be worth a certain number of points, or the distance of the skittles may affect their value.
    • A time trial game to hit all the skittles. If you are using plastic bottles as skittles try making some of them a little heavier by putting sand or dirt in them to make it a bit harder to knock them over.
  • Move the object race games.
    • A light toy/ball has to be moved by squirts of water over a distance.
    • A range of objects moved in to target areas to gain points.

The only limitation is you and your child’s imagination and trust me kids never tire of finding new ways to play with water (but then again neither do many adults)!

Homework has never been so much FUN!

Poor hand position can cause a poor pen grip

Hooked grips

We often talk about the most appropriate grip for handwriting being the tripod grip; but this usually only refers to finger position. It is easy to forget the importance of the actual hand position in relation to the pen and paper for handwriting.

The ideal position is for the hand, wrist and elbow to be below the tip of the pencil and under the writing line for both left and right-handed writers.

Some children will hold the pencil in a tripod grip but develop a hooked hand position or move the elbow too far up the table, causing the forearm and wrist to be nearly horizontal with the table edge, because they feel they can see what they are writing more clearly.

A hooked grip puts unnecessary strain on the hand ligaments and forces the body into a poor sitting position, again putting extra strain on the body. This in turn makes handwriting a tiring and uncomfortable task, impacting on a child’s overall learning experience.

It takes time to correct a poor hand position but it is well worth the perseverance as it will enable a child to write freely and more comfortably.

When writing normally, encourage children to angle the paper appropriately as this will also help to correct a poor hand position. With the correct paper tilt they will always be able to see what they are writing. If the paper is tilted at the correct angle for them, they will find a hooked hand position, or having their forearm further up the table, more difficult and uncomfortable to maintain.

Some children will find writing on a sloped desk helpful. Not all are comfortable writing or drawing on a flat surface and may benefit from the paper being positioned on an angled or sloped board. If you are not sure, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out or you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, your child prefers. You may find that they only need the sloped board for a short while. It may also help to reduce the angle of the slope over time so that they gradually get used to moving from a sloped to horizontal writing plane.

Choosing a Pen for Handwriting

Pen Types 2

Choosing and using the right pen can help to avoid smudging; make handwriting look smarter and prevent hand strain when writing for extended periods of time. Everyone is different, so the type of pen required is different too.

There are three main points to think about when choosing a pen for handwriting:

  1. The type of ink it uses.
  2. The size and weight of the pen.
  3. The type of point it has.

1. Types of ink used:

    • Oil-based ink
      • The ink is quick drying and so does not smudge easily
      • The ink flows smoothly depending on the point style of the pen
      • Ink can stop and start for no apparent reason
    • Water-based ink
      • The ink does not dry as quickly as oil-based ink so can smudge
      • The ink flows very smoothly

2. Pen sizes and weights

Because pens come in different shapes, sizes and weights it is important for your child to try out a range of pen styles to help them find the best fit for them. Remember one pen style does not suit all, everyone’s hand size and finger length are different.

Things to consider when choosing a pen:

  • Does it feel too short or too long?
  • Does it feel too thin or too thick?
  • Does it feel too heavy or too light?
  • Some children like a smooth round pen shape.
  • Some prefer a textured round pen shape.
  • While others may prefer a hexagon shaped pen.

3. Pen points

Pens come with different point or nib widths and shapes. The size and shape of the point gives different line thicknesses and are usually purchased as point sizes: extra fine, fine, medium or bold (some will have a measurement on as well).

  • A fine pen point produces thin lines and some children will find this can help to make writing neater.
  • A medium and bold point give thicker lines which many may find smoother to write with, though the letter size may be slightly larger because of it.

Once again it is important that children try out a range of pen point sizes to help them find the best fit for them.

Remember one pen point style does not suit all, everyone’s fine motor skills and writing pressures are different.