Warm up For Handwriting!

Well the festive holidays are over and we are back at work and home schooling for many. So it is time to get back into good habits for the New Year!

So, before you try to encourage your little darlings to sit and write, get them to do a few physical handwriting ‘Warm Up Exercises’.  Not only do they help to prepare the hands and fingers for the task ahead, they also help to release any tension that has built up. They are fun to do, which usually brings a smile and often laughter, an added tonic to any learning experience.

The warm up exercises can be accessed through a number of ways:

#Christmas Finger Printing a Fun Way to Support Handwriting

Hand and finger printing can be a fun way of getting your child used to touching and using different textured mediums. The creative element can help some children to cope with, and learn to overcome, some sensory tactile defence difficulties. Being happy holding objects allows them to hold a pencil comfortably, leading to better handwriting.

Handwriting requires a child to apply the right amount of pressure to get the pencil marks of the letters on to the page. Too little pressure and the writing is often faint and wriggly in appearance (like a spider has walked across the page). Too heavy and the marks are very dark and can tear the paper; often the writing looks big, angular and laboured. Not being able to apply the correct pressure also affects how a child holds the pencil, which can cause the hand and fingers to tire more quickly, making writing tasks challenging.

Printing activities help your child to start to become aware of how to control the amount of pressure they use and the effect that this has on the quality of the work produced. Learning to control the amount of pressure exerted and how it feels can be very difficult for some children and it takes time and a range of experiences to develop these skills.

There are some fabulous printing ideas out on the internet; one of my favourite art resources is The Usborne Art Idea Books. Hand and finger printing can create some amazing artwork which can be used to make wonderful personalised Christmas cards, tags and paper.

Who could not be charmed by these fun thumb and fingertip snowmen or robins or delighted by a hand print angel?

For other useful tips on printing and setting up a printing work station (http://bit.ly/35Z7pWQ), check out our ‘More fun handwriting activities’ in our Resources section: http://bit.ly/2kyeo3w

The Five Stages of Pencil Grip Development

There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This give an open wide web space which means the movement comes from the fingers.

For more information on the five stages of pencil grip development click on the following link: http://bit.ly/2YFfqMp

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for glueing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see.

Why do young children love to draw on walls?

Young children love drawing on walls due to the stage of their physical development. They draw from the shoulder, rather than the elbow and wrist, using large arm movements. At this stage they prefer vertical drawing and painting surfaces as it allows a free range of movements. This is why they will write on walls (often newly decorated), not because they are meaning to be naughty but because it just feels comfortable and so more enjoyable.

Drawing and writing on a vertical surface is important at this stage as it helps young children develop the wrist strength and flexibility needed later to hold a pencil correctly for handwriting. Having the freedom to move more instinctively without restrictions means that a child is free to focus on other aspects, such as feeling the movement as they make shapes and gaining the confidence to have a go without fear of getting it wrong.

Case Study

Esme at the age of 3yrs 9mths was very happy to draw (more scribbling) and colour sitting at the table but Mum was not quite sure how to move her on. So, the following idea was suggested; to tape some large pieces of plain paper up on a suitable wall for her to draw on with appropriately sized pens, crayons or chalks.

This was the response:

Message from Mum was:

“She’s loving this idea. She did a triangle and a ‘s’ all on her own with no encouragement.”

As the day went on Esme revisited the drawing wall and later on that day this photo arrived: 

Message from Mum: “She just did her name.” This had been the first time she had done this.

An easel was then ordered!

The jump from a vertical to a horizontal writing surface can seem too great for some children; due to their stage of development. If they are still using some large whole arm and/or big elbow movements then they may benefit from the paper being positioned on a sloped board.

The Best Type of Paper for Teaching Handwriting

Just as the writing tool used by your child changes as they develop, so does the paper they write on.

Informal Pre-handwriting Pattern and Initial Letter Development

If your child is just starting out on the handwriting adventure then any type of plain paper (no ruled lines) is considered the best option, as many children find it less restrictive.

Young children, due to the stage of their physical development, use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines; you don’t want to restrict this movement as it can cause handwriting difficulties later. As their gross and fine motor skills develop so does their pencil grip and ability to draw and write at a smaller scale, moving more from the shoulder to elbow and wrist.

Formal Pre-handwriting Pattern and Letter Development

When your child is ready to refine their pre-handwriting pattern skills, or move on to forming letters, it is a good idea to use plain paper. The aim at this stage is to learn how to form the letters correctly, not size or neatness as that comes later.

Before moving to lined paper, to help your child begin to appreciate letter proportions and positioning, paper with picture clues can be used.

On our website the free writing paper and animations reinforce the idea of letter proportions and positioning by splitting the backgrounds into three colour zones to represent the sky, grass and earth. There are a number of reasons why this can be beneficial:

  • It can create a sub-conscious memory in your child’s mind of where particular letters sit in relation to others without the constraints of lines or obvious boundaries, especially as the picture can be any size. Children remember where to place the sun, grass or worms in their drawings; so why not letters?
  • It can be easier to talk through the formation of how a shape or letter is formed with pictorial and colour clues to guide and inform the direction of the movements required.     
  • As your child’s fine motor skills develop so the size of the picture/colour clues can be reduced to match their progress.

As your child’s fine motor skills develop it enables them to form smaller more refined versions of the letters and this is when it is more appropriate to use lined paper.

To download different line heights of our picture and coloured coded paper, scroll to the bottom of our ‘Handwriting Animations and Worksheets Page’: http://bit.ly/2F9P7cI

Teaching Letter Joins – A Systematic Approach

Continuous Cursive and Cursive font styles

We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

There are 4 main groups of letter joins; bottom joins, bottom to “c” shape joins, “e” joins (top and bottom join strokes) and top joins.

Moving from Cursive Single Letters to Joining

There are seven join strokes to be taught. Most children will find the bottom joins the easiest to achieve, as it only requires the extension of the exit stroke they already put on the letters. The bottom to “c” shape joins can be tricky at first but soon mastered. The joins that tend to cause the most confusion and difficulty are the “e” joiners and top exit joiners.

I would recommend teaching the bottom joins first, then the ‘e’ joins and finally the top exit letter joins.

Moving from Continuous Cursive Single Letters to Joining

There are three join strokes to be taught. The easiest is the bottom exit letters (the majority of the letters), all a child has to do is write the letters closer together without lifting their pencil off the paper. Only the top to “e” and top joiners need to be taught for continuous cursive, as the nature of the font style means that the lead-in and exit strokes needed to join the majority of letter combinations have already been taught.

I would recommend teaching the bottom joins first, then the top exit to ‘e’ join and finally the top exit letter joins.

For our free join animations and worksheets: http://bit.ly/2F9P7cI

For tips to support the teaching of joins scroll down our Teaching Tips section:  http://bit.ly/2AaX8sk

Letter Shape Play Ideas

Learning to handwrite does not start with pen and paper but through play, as children explore shape and motion (how the body moves) through their senses – touch, sight and body awareness. Play is such an important element of your child’s physical, emotional, social and academic development.

It is through play that you can really engage your child in learning how to correctly form pre-handwriting patterns and letters (the start points, orientation, directional movements and finish points).

Our non-pencil – ‘Big to Small’ activities are an easy fun way to start developing these skills early on through play: http://bit.ly/2AaX8sk   

Young children love seeing their name so it is a great way to introduce letter formation; here are some other fun ideas:

  • This activity can be done indoors on large sheets of paper or using chalk on a path or patio (the beach is also a great place to do this). Write your child’s name very big and make a mark on each letter that represents a start point (an arrow showing the direction of travel can also help). Remember to use a capital letter for the first letter of their name and we would suggest lower case letters for the remaining letters. Use the letters as a track for racing cars or toys. If you make the letters big enough your child could walk, hop, jump or skip around the letters. To help them remember the letters, once they have finished a letter, encourage them to say that letter’s alphabet name (NOT a sound the letter can make).
  • Collect stones, twigs, leaves, etc…  Use them to make the letters of your child’s name. They may only make one or two of the letters, before making a hedgehog house, nest or den for their toys becomes more interesting, but this does not matter, it is all part of the adventure.
  • Feely bag games are a fun way to explore shape and form. Try placing the letters of your child’s name into a bag or box they cannot see into. It is useful to talk through the letter shapes beforehand so they can see them as they move them about in their hands; then place them in the bag. Ask them to put their hands in (both hands if possible, but if not, then use the dominant hand) the bag, picks up a letter, feels it, identifies it and pulls it out to check only AFTER identifying it. If correct, they get to “keep” it, if wrong, you get to “keep” it. The winner is the one with the most letters at the end. For some children it can help to have another set of the letters outside the bag to help them identify the shape they are handling in the bag. Again, encourage them to use the alphabet name of the letter.
  • Play-dough, clay and Plasticine activities are great for developing hand strength for handwriting and learning how to form letter shapes.

Your child will love these sort of activities as they see it as just playing and they get your undivided attention. You will enjoy it as you are sharing quality time with your child helping them to develop more than just their letter formation ability but also their communication and social skills.

Learning through play is a powerful way of supporting your child’s development. So have fun and play!

When to Introduce Joined Handwriting

Here at Teach Children we believe that a child is only ready to start learning to join their handwriting when:

  • They have learnt to form all 26 lower-case letters correctly
  • Letters are of a consistent and suitable size (not necessarily the perfect size, remember big is beautiful)
  • Letters are positioned appropriately on the writing line as well as in relation to one another.

Children generally begin to join letters between the ages of 6 to 7 years old, depending on the handwriting font style being taught. Those taught a continuous cursive font style from the beginning tend to join much earlier due to the nature of this font (for some by the end of their Reception Year).

Children do not need to be able to remember how to correctly form all their capital letters before they are taught how to join their letters. This is because capital letters never join to the lower-case letters in a word. However, for these children correct capital letter formation needs to be taught alongside the introduction of letter joins.

The ultimate aim is for a child to develop a good handwriting style; which means;

  • They can produce and maintain a good speed
  • Have a fluid hand movement that is comfortable
  • Letters are of a consistent and appropriate size, positioned correctly
  • Handwriting is legible (so others can read it easily).

For some children (mainly SEND pupils) this may mean that they will always print or use a single letter form of writing as learning to join is just not appropriate. But that does not mean they will not comply with the bullet points above.

The Third Stage to #Handwriting Success – Joining

http://bit.ly/2F9P7cI

Here at Teach Handwriting we believe that a child is only ready to start learning to join their handwriting when:

  • They have learnt to form all 26 lower case letters correctly
  • Letters are of a consistent and suitable size (not necessarily the perfect size, remember big is beautiful)
  • Letters are positioned appropriately on the writing line as well as in relation to one another.

Children generally begin to join letters between the ages of 6 to 7 years old, depending on the handwriting font style being taught. Those taught a continuous cursive font style from the beginning tend to join much earlier due to the nature of this font (for some by the end of their Reception Year).

Children do not need to be able to remember how to correctly form all their capital letters before they are taught how to join their letters. This is because capital letters never join to the lower case letters in a word. However, for these children correct capital letter formation needs to be taught alongside the introduction of letter joins.

We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

We would recommend teaching the bottom joins first, then the top exit to ‘e’ join and finally the top exit letter joins.

For our free join animations and worksheets: http://bit.ly/2F9P7cI

For tips to support the teaching of joins check out our Teaching Tips section:  http://bit.ly/2AaX8sk

The Second Stage to #Handwriting Success – Single Letter Formation

https://teachhandwriting.co.uk/letter-animations-worksheets.html

Last week we explained that pre-handwriting patterns are the first stage of learning to handwrite. Once a child has mastered theses, they are ready to start learning how to form letters.

But where do you start?

Our view is to focus on lower-case letters first and only the capital letters for the first letter in a child’s, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Why?

  • One reason is that about 95% of what children write, and are exposed to, is in a lower-case form and only 5% in capital.
  • Lower-case letters are far less complicated, requiring fewer pencil lifts to complete the letters.
  • As both lower-case and capital letters require a child to form curved lines, a skill which most children have to practise, writing lower-case letters is no more difficult than writing capitals.
  • In a young child’s writing all the letters are initially the same size, whether they are capitals or lower case; it is part of the normal developmental path of handwriting. So, the view that teaching capitals letters is easier because they are bigger is not true.
  • Young children who have learnt mostly capital letters first find it difficult to stop, as it is so ingrained into the memory, often using them half way through words and sentences. Even when they are older this inappropriate use of capitals creeps back into their work especially if they are tired or concentrating hard on composing their work.

A child’s first major achievement, in their eyes, is to write their name. So, although concentrating on lower-case letters, teach them how to form the capital letter for the first letters of their name to get them excited about handwriting.

As they master the lower-case letters introduce the remainder of the capital letters. It is important that both are taught so that a child can develop a speedy, fluid and legible handwriting style.

Free Letter Formation Animations & Worksheets: http://bit.ly/2F9P7cI