Gross & Fine Motor Skills

The Five Stages of Pencil Grip Development

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There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This gives an open wide web space which means the movement comes from the fingers.

For more information on the five stages of pencil grip development click on the following link: https://teachhandwriting.co.uk/grip-development.html

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for gluing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see.

Art Activities to support the Understanding of Pressure

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Crayoning and printing activities are great ways for a child to experience and experiment with pressure and the amount needed to create different effects. These activities will also encourage and support a child in helping them to understand, and for you to model, the language associated with pressure and how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or to press harder. 

When supporting a child to understand what we want when we ask them to press harder, we need to model how our body reacts to make this happen. You may need to exaggerate the actions but as you do this you also need to talk about what your body is doing and how it feels. Then point out the effect that this has had on the crayoning for instance.

When we press hard, we tend to lean our body forward over the table slightly as this allows us to put more force down on to the paper through the crayon. We may feel our arm and hand tense and often the movements made are slower and in small strokes. If it is something we are not used to doing it can make our hand and fingers ache and it will feel like hard work. The crayon marks will be thick and dark.

When we want to be gentler with the crayon, so that the crayoning is lighter in texture and colour, we tend to sit back away from the table. This way the hand moves across the paper more easily and often the strokes are longer and quicker, which sometimes feels as if we have less control over the colouring. This is why young children tend to be a bit heavy handed initially with colouring because their fine motor control skills have not reached a point that enables them to have control.

There are many creative ideas to be found on the internet and in books published by companies such as Usborne.

This crayon technique can be used to create a vast range of pictures. Here are just a couple of ideas to get you started:

The same technique can also be used to create great firework pictures:

It is also worth remembering that drawing also helps to develop a range of different line formations, also needed for developing a good handwriting style.

Have FUN!

Stage 1 to #Handwriting Success – Non-pencil – Pre-handwriting Patterns

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Learning to handwrite does not start with pen and paper but through play (non-pencil activities), as children explore shape and motion (how the body moves) through their senses – touch, sight and body awareness. Play is such an important element of your child’s physical, emotional, social and academic development.

Pre-handwriting patterns are the first stage in supporting a child to handwriting success. They help the child to learn the shapes and directional pushes and pulls required to form letters. All letters are a combination of these shapes and lines.

Young children can start to learn these patterns through their play, long before they are ready to pick up a pencil, moving toys back and forth across the floor or whirling them around in the air. To a child it is just play and fun, but you are doing something far more powerful and constructive by helping them to develop the motor memory patterns and directional movement skills they will need for handwriting.

Later, as their coordination and gross motor skills develop, they make more controlled and varied movement patterns in their play. Changing directions, speed and size are all prerequisite skills needed for learning pre-handwriting patterns.

Once again ‘The writing framework’ acknowledges that:

“On joining reception, some children may need teaching and practice in using and manoeuvring their thumbs, wrist and shoulder muscles in a way they need for handwriting. Initially, handwriting lessons could include learning the movements needed to form letters, practising these movements at a range of sizes…” 

Department of Education; The writing framework: July 2025; page 24; https://www.gov.uk/government/publications/the-writing-framework

It is through play that you can really engage a child in learning how to correctly form these movements or what we refer to as pre-handwriting patterns and have always been an important foundation stone in our ‘Foundation Stage Teach Handwriting Scheme (https://www.teachhandwriting.co.uk/handwriting-teaching-manuals.html#hs-fs ) and strongly promoted on our website https://www.teachhandwriting.co.uk/index.html ) and blog (https://teachhandwriting.blog/ ) since 2012.  

Our non-pencil – ‘Big to Small’ activities are an easy fun way to start developing these skills early on through play: https://teachhandwriting.co.uk/big-to-small.html

Drawing – a Pre-skill for Handwriting

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Drawing pictures is a great way to help your child develop their pre-handwriting stokes and shape formation skills. It is amazing how, by using these simple shapes, you and your child can create fantastic pictures.

Try using basic shapes as circles, rectangles and triangles to begin with and then add some swirls, curves and spirals to give extra detail.

Check out our play resources page for more great pre-handwriting picture ideas: https://teachhandwriting.co.uk/more-activities.html

Handwriting Really Starts with Play!

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Learning to handwrite does not start with pen and paper but through play, as children explore shape and motion (how the body moves) through their senses – touch, sight and body awareness. Play is such an important element of your child’s physical, emotional, social and academic development.

Young children learn many of the directional pushes, pulls and changes in direction, required for handwriting, on a much larger scale, long before they pick up a pencil, through playing with cars or pretending to cook. These movements become the drawings/scribbles which young children form once they start mark-making, initially as big uncontrolled movements then becoming more controlled and smaller as their gross and fine motor skills develop.

It is through play that you can really engage your child in learning how to correctly form pre-handwriting patterns and letters (the start points, orientation, directional movements and finish points).

Our non-pencil – ‘Big to Small’ activities are an easy fun way to start developing these skills early on through play: https://teachhandwriting.co.uk/big-to-small.html   

Young children love seeing their name so it is a great way to introduce letter formation; here are some other fun ideas:

  • This activity can be done indoors on large sheets of paper or using chalk on a path or patio (the beach is also a great place to do this). Write your child’s name very big and make a mark on each letter that represents a start point (an arrow showing the direction of travel can also help). Remember to use a capital letter for the first letter of their name and we would suggest lower case letters for the remaining letters. Use the letters as a track for racing cars or toys. If you make the letters big enough your child could walk, hop, jump or skip around the letters. To help them remember the letters, once they have finished a letter, encourage them to say that letter‘s alphabet name (NOT a sound the letter can make).
  • Collect stones, twigs, leaves, etc…  Use them to make the letters of your child’s name. They may only make one or two of the letters, before making a hedgehog house, nest or den for their toys becomes more interesting, but this does not matter, it is all part of the adventure.
  • Feely bag games are a fun way to explore shape and form. Try placing the letters of your child’s name into a bag or box they cannot see into. It is useful to talk through the letter shapes beforehand so they can see them as they move them about in their hands; then place them in the bag. Ask them to put their hands in (both hands, if possible, but if not, then use the dominant hand) the bag, picks up a letter, feels it, identifies it and pulls it out to check only AFTER identifying it. If correct, they get to “keep” it, if wrong, you get to “keep” it. The winner is the one with the most letters at the end. For some children it can help to have another set of the letters outside the bag to help them identify the shape they are handling in the bag. Again, encourage them to use the alphabet name of the letter.
  • Play-dough, clay and Plasticine activities are great for developing hand strength for handwriting and learning how to form letter shapes.

Your child will love these sort of activities as they see it as just playing and they get your undivided attention. You will enjoy it as you are sharing quality time with your child helping them to develop more than just their letter formation ability but also their communication and social skills.

Learning through play is a powerful way of supporting your child’s development. So have fun and play!

To Play is to Learn!

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Different Types of Play and their Importance

We are always being shown how important play is in the development of young animals’ survival and hunting skills. How many times have you thought how cute or lovely when watching kittens, puppies or polar bears playing?

Humans are also animals which thrive and develop through play; in fact, play is so important the United Nations High Commission for Human Rights state it as a right for every child (Ginsburg, 2013).

We often think of play as a frivolous pastime rather than a practical and meaningful one. However, here at Teach Children we see play as a vital part of a child’s physical, emotional, social and intellectual growth and well-being.

There has been considerable research over the years on play, which supports our point of view, with the consensus being that children need to experience five different types of play (Dr.D Whitebread, 2012). These five types of play are roughly based on the developmental opportunities they provide, especially if it is child driven rather than adult lead:

Physical Play – active exercise (running, jumping, skipping etc..), rough & tumble and fine motor skills activities to develop whole body and hand and eye co-ordination strength and endurance. The outdoor element of such play develops independence, resourcefulness and self-regulation while the fine motor skills activities support the development of concentration and perseverance.

Play with Objects – starts as soon as a child can grasp and hold an object; mouthing, biting, turning, stroking, hitting and dropping. It’s how we all learn through the exploration of our senses (sensory-motor play). This type of play develops our abilities to; physically manipulate items, think, reason and problem solve, to set challenges and goals as well as to monitor our own progress.

Symbolic Play – refers to the development of spoken language, visual symbols such as letters and numbers, music, painting, drawing and other media used for communication of thought and ideas. This type of play allows children to develop the abilities to express and reflect on experiences, ideas and emotions. Sound and language play develops phonological awareness required for literacy, while number play that relates to real life situations supports numeracy skills.

Pretence/socio-dramatic Play – Pretend play provides the opportunity to develop cognitive, social, self-regulatory and academic skills. This kind of play means children have to learn and pick up on unspoken rules of interaction, taking on the role of a character and playing within the expected confines of that role.

Games with Rules – physical games such as chase, hide & seek, sport, board and computer games. Develop social skills and the emotional skills of taking turns, winning and losing as well as other people’s perspectives.

                                                             So, to play is to learn!

Bibliography

Kenneth R. Ginsburg, MD, MSEd, 25/07/2013; ‘The Importance of Play in Promoting Healthy Child Development and Maintaining Strong Parent-Child Bonds’: THE AMERICAN ACADEMY OF PEDIATRICS: http://pediatrics.aappublications.org/content/119/1/182.full

Dr.D. Whitebread, April 2012: ‘The Importance of Play’; Commissioned for the Toy Industries of Europe:  http://www.importanceofplay.eu/IMG/pdf/dr_david_whitebread_-_the_importance_of_play.pdf      

The Right Handwriting Tool for the Job!

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As with learning any new skill the right tool at the right time can make a real difference to the whole learning experience as well as the outcome. Learning to handwrite is no different.

Young children due to their gross and fine motor skills ability require chunky shafted tools so that they can grip them effectively. This means they have a greater control over the tool and can achieve a more satisfactory outcome. If they are using a tool that is too thin, they will find gripping it difficult and have to keep changing their grip. They will have less control of the tool making the experience disappointing at best and discouraging at worst.

To help young children to store patterns and letter shapes formation into their motor memory it is important that the tools used provide a resistance rather than one that flows effortlessly over the writing/drawing surface. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.

Some of the best tools for young children to begin learning to draw patterns, shapes and correctly write letters:

  • Chalk on boards, walls or paths
  • Flip chart pens or large felt tips on course paper such as sugar paper
  • Using appropriately sized paint brushes on course paper or surfaces
  • Finger painting or finger drawing in sand, paint or cornflour mix
  • Finger tracing and then trying to draw the pattern, shape or letter straight afterwards.
  • Try chalking the shape or letter onto a blackboard and have the child use a damp sponge to wipe it off again (make sure the child starts in the correct place and moves correctly around the shape or letter to the correct finish point).
  • Appropriately sized crayons and pencils on course paper or card (non-shiny side of cereal boxes and corrugated card can be good fun and different to use).

As children begin a more formal approach to learning to form their letters correctly then appropriately sized and lead grade pencils are the best tool for the job. Pencil come in all widths, lengths and shapes. The key is to find the style of pencil which best suits the child and their stage of pencil grip development. Remember one size doesn’t fit all!

When a child has learnt to join their letters and has a good and consistent letter size and places all their letters on the writing line correctly in relation to each other, then it maybe they are ready to be moved to pen. It is important before moving a child to pen that they are writing with speed (appropriate for their age) and fluidity (comfortable writing all the letters of the alphabet lower and upper-case correctly). A child whose handwriting is slow and laboured may need additional support and time before being moved on to pen.

The Move from Pencil to Pen

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A while ago we looked at why pencils, rather than pens, are a good first tool for learning to handwrite.

Children can’t wait however for that magic day when the teacher moves them from pencil to pen. It really is a big moment and means more than just “I can write neatly”, for them it is an acknowledgement of their maturity (growing up) and a status symbol of intellect and ability in their eyes and those of their peers.

Moving from pencil to pen can have a dramatic effect on a child’s confidence and self-esteem.  I have seen how moving a child from pencil to pen can give them a new found confidence and self-belief in their own ability, because I showed my belief in them by making that gesture. They may not have had the perfect font style in pencil but moving to pen did improve their ability to form letters more freely and become more consistent in their formation.

It is difficult to put an age on when a child should move from pencil to pen because every child is different. Schools have different policies on when this should happen, with most tending to make the move at around the age of 8/9 years old. It should really depend on the child’s ability rather than their age, as well as the potential benefits the move may have to confidence and self-esteem.

It does not make sense to keep a child working with pencil until they have a perfect handwriting style because that may never happen. For many a neat, beautiful handwriting style may never be a reality.

Advantages of pens:

  • A good quality pen will give an even ink flow.
  • A more consistent hand pressure is required, helping to develop and maintain a fluid handwriting style (reducing hand strain).
  • Fibre tip and roller pens can give the same look and writing experience as a good quality fountain pen, but are far less messy (especially for left-handed people).
  • With the right pen everyone’s handwriting can look good, (I love my fountain pen for that reason).

Limitations:

  • Cheap biro pens require a lot of hand pressure and give an inconsistent ink flow (so not very different from pencils).
  • Cheap fountain pens can be scratchy and messy
  • Some schools will insist on using a particular type of pen which is not always good for all.

My tip would be to test a few pen types and weights to find out which ones your child finds the most comfortable and enjoyable to use. I realise this can be an issue if your child’s school insist on one type of pen. But if you can prove your child’s handwriting ability is great with a different style, I think it is worth talking to them about it.

Moving from pencil to pen is an important point in a child’s education, affecting their confidence and self-esteem, and like any transition stage it should be approached with thought and care.

How to improve your child’s handwriting

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School Reports – Handwriting Improvements Needed!

So, the school report has been received and you have been told that your child needs to improve their handwriting.

This is all well and good, but what exactly needs improving?

What are they finding difficult and how on earth do you write a continuous cursive z? 

So, you eventually get some handwriting practice sheets home or off the web. But no amount of time spent doing them seems to make much difference. It seemed to take longer to get them started than they spent practising handwriting. In fact they seemed worse because they were unhappy and frustrated with their own progress, so the more you try to push them the more resistant they become. Eventually you think there has to be a better way than this?

Doing more of what you are already struggling with is not always the answer. Handwriting is a complex skill to learn and there are a number of reasons why a child may be struggling.

There is a lot of information and free resources on our ‘Parent’ page which has been designed to help you: https://teachhandwriting.co.uk/parents.html

Try not to get over whelm, take things slowly and keep it simple.

Some things you might want to check and work on first before thinking about your child’s letter or join formation:

  • How are they sitting, is it a good position, it makes a difference;
  • Paper position and tilt can have a real impact especially if they are left-handed writers;
  • Are they using an efficient pencil grip for their age.

If your child is finding some or all of these elements difficult it might be that you need to work on their physical strength as well. Again, you will find information and games to help build this at the same time. And with the summer holidays coming up it is a great time for you to play games and do activities which then help them to develop the strengths and skills which may be holding them back and making handwriting a difficult task to master.

It is important to check and know which letter formations are being taught in school and that this is what you teach at home. Otherwise, you will only be causing more frustration and stress for your child.

Please note that if the letter formation being shown in the @Parent@ section is not the one being taught in school, check our @Teacher@ section of the website as you may find it there: https://teachhandwriting.co.uk/key-stage-1-handwriting-routes.html

Why do Children Fidget or Appear Bored When Handwriting?

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There are two key elements that can cause a child to fidget or appear bored when handwriting, both relate to being able to sit correctly:

  1. The height of the table and chair.
  2. The child’s physical core strength.

Table and Chair Height

A poor and uncomfortable sitting position that causes a child to fidget and wriggle about affects their ability to concentrate and pay attention; for example, when listening to a teacher, as well as distracting them from the task and breaking their train of thought. It also puts unnecessary strain on the body, making sitting tasks such as handwriting more tiring.

When a child is sitting on a chair too high for them, they may sit swinging their legs, causing the body to rock slightly. They might wrap their legs around the legs of the chair to stop them aching, which is not good for their circulation and can cause them to lean back away from the table top. Some children will sit with their legs underneath their bottom which often causes them to lean too far over the table due to being off balance, once again not good for their circulation or for handwriting and other fine motor skill activities such as eating or drawing.

If a table is too high for a child, they will have their arms raised too high, causing tension in the upper arms and shoulders or they may rest their head on the table. Both have a profound effect on a child’s ability to handwrite with fluidity, comfort and for any period of time. Another result of this is a child fidgets as they try to readjust their position to get comfortable, which in turn distracts them from the task at hand. 

For tips and ideas on how to help a child develop a good sitting posture and position for handwriting check out our FAQ section of the ‘Sitting’ section on the Parent area of our website: https://teachhandwriting.co.uk/sitting-faq.html

Teachers will find useful information using this link to our website:

https://teachhandwriting.co.uk/handwriting-sitting-position-desk.html

Sitting and Core Strength

We often see children slouched over a desk, laying their head on the table or with their head propped up by their hand and arm, or fidgeting about while they are sitting at the desk writing. This can look as if they are bored and disinterested in what they are doing. However, this is not generally the case.

A poor posture position is not always due to boredom or incorrect chair and table height. For some children it is a lack of body strength or core muscle tone (the large muscle groups that control shoulder stability and the trunk of the body) that work to enable us to sit and stand upright for sustained periods of time.

We expect our children to sit at a desk for long periods of time at school. To be able to maintain a good sitting position for writing over any length of time requires good core strength. Those who lack strong core strength tend to slouch over the desk, lay their head on the desk, hold their head in their hand or pull their chair in so far that they can rest their tummy on the edge of the table to help them keep a more upright position.

This is bad for them, as it puts unnecessary strain on the body, causing neck or backache and discomfort, which in turn make them fidget as they try to get comfortable. All this can distract them from the task in hand and limit their handwriting ability as it reduces their hand and fingers movements to handwrite freely.

For more information, games and activities on developing a child’s core strengths check out our ‘Play’ section of the Parents area of our website: https://teachhandwriting.co.uk/games.html

Teachers will find useful information using this link to our website: https://teachhandwriting.co.uk/handwriting-difficulties.html