Art Activities to support the Understanding of Pressure

Crayoning and printing activities are great ways for a child to experience and experiment with pressure and the amount needed to create different effects. These activities will also encourage and support a child in helping them to understand, and for you to model, the language associated with pressure and how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or to press harder. 

When supporting a child to understand what we want when we ask them to press harder, we need to model how our body reacts to make this happen. You may need to exaggerate the actions but as you do this you also need to talk about what your body is doing and how it feels. Then point out the effect that this has had on the crayoning for instance.

When we press hard, we tend to lean our body forward over the table slightly as this allows us to put more force down on to the paper through the crayon. We may feel our arm and hand tense and often the movements made are slower and in small strokes. If it is something we are not used to doing it can make our hand and fingers ache and it will feel like hard work. The crayon marks will be thick and dark.

When we want to be gentler with the crayon, so that the crayoning is lighter in texture and colour, we tend to sit back away from the table. This way the hand moves across the paper more easily and often the strokes are longer and quicker, which sometimes feels as if we have less control over the colouring. This is why young children tend to be a bit heavy handed initially with colouring because their fine motor control skills have not reached a point that enables them to have control.

There are many creative ideas to be found on the internet and in books published by companies such as Usborne.

This crayon technique can be used to create a vast range of pictures. Here are just a couple of ideas to get you started:

The same technique can also be used to create great firework pictures:

It is also worth remembering that drawing also helps to develop a range of different line formations, also needed for developing a good handwriting style.

Have FUN!

Leaf Investigation, Collecting and Printing

The weather this Autumn has been unseasonably warm, making it easier to go out and explore our local green and wild spaces.

It is amazing how much quality time you can spend with children just looking, talking about and collecting different leaves. The amount of language shared and new vocabulary introduced is invaluable.

It is suitable for all age groups and you don’t need a vast knowledge of plants and trees to make this fun; just remember not to take whole plants or leaves from endangered or dangerous plants and watch out for thorny, spikey and prickly leaves (if you are not sure leave the plant alone). Make sure when collecting leaves, you do not trespass on to other people’s property, or pick from their gardens!

The aim is to look at and talk about the different shapes, sizes, textures, colours and parts of the leaves. There are so many new words you can share. It is important to make sure the words used, especially if new, are age appropriate and help develop the child’s understanding:

  • Shape:  round, oval, heart shapes, oblong, fanned.
  • Size: small, big, tiny, large, bigger, biggest, smallest, smaller, huge.
  • Texture: rough, smooth, bumpy, fluffy, silky, soft, furry, shiny, glossy, feathery, spikey, prickly, thorny, scratchy, hard, stiff, ridged, flexible, bendy, veiny, ragged.
  • Colour: green, brown, tan, orange, yellow, silver, gold, bronze, purple, red.
  • Leaf: stalk (petiole), leaf base, mid-rib, veins, venules, leaf apex, margin (edge), leaf blade (lamina)

Leaf printing is fun and easy!

If you have been able to collect some leaves, they can be used to create lovely leaf print pictures and patterns.

The printing activity is a great way of helping children to understand, and for you to model, the language associated with pressure and to experience how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or harder.  

Materials:

Paper, child safe poster paints, brushes or sponges, leaves collected from walk

Method.

  • Protect the surface being used for painting and aprons for the children
  • Put paint in to trays/tubs
  • It can help to tape the corners of the paper down before you start printing to stop the paper lifting when you lift the painted leaf off.
  • Paint one side of the leaf. This is when we can talk about how much paint (not too thick) and how gentle we need to be. If the leaf tears, due to too much pressure being used, we can support by explaining and helping the child to try again; with maybe a different painting tool or using their finger to give a great sense of feeling.
  • Then pick up the leaf by the stalk, or at one end, and place it paint side down on the paper
  • Encourage the child to gently tap the leaf down on the paper. Help them, if necessary, by demonstrating.
  • Then using the stalk, or from one end, gently peal the leaf off the paper.

The important thing to remember is to chat about what you are doing and have fun!

Stage 2 to #Handwriting Success – Single Letter Formation

Last week we explained that pre-handwriting patterns are the first stage of learning to handwrite. Once a child has mastered theses, they are ready to start learning how to form letters.

But where do you start?

Our view is to focus on lower-case letters first and only the capital letters for the first letter in a child’s, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Why?

  • One reason is that about 95% of what children write, and are exposed to, is in a lower-case form and only 5% in capital.
  • Lower-case letters are far less complicated, requiring fewer pencil lifts to complete the letters.
  • As both lower-case and capital letters require a child to form curved lines, a skill which most children have to practise, writing lower-case letters is no more difficult than writing capitals.
  • In a young child’s writing all the letters are initially the same size, whether they are capitals or lower case; it is part of the normal developmental path of handwriting. So, the view that teaching capitals letters is easier because they are bigger is not true.
  • Young children who have learnt mostly capital letters first find it difficult to stop, as it is so ingrained into the memory, often using them half way through words and sentences. Even when they are older this inappropriate use of capitals creeps back into their work especially if they are tired or concentrating hard on composing their work.

Have you got your Free Letter Formation Animations & Worksheets?                             

For Teachers: https://teachhandwriting.co.uk/key-stage-1-handwriting-routes.html

For Parents: https://teachhandwriting.co.uk/parents.html

A child’s first major achievement, in their eyes, is to write their name. So, although concentrating on lower-case letters, teach them how to form the capital letter for the first letters of their name to get them excited about handwriting.

As they master the lower-case letters introduce the remainder of the capital letters. It is important that both are taught so that a child can develop a speedy, fluid and legible handwriting style.

Stage 1 to #Handwriting Success – Pre-handwriting Patterns

Pre-handwriting patterns are the first stage in supporting a child to handwriting success. They help the child to learn the shapes and directional pushes and pulls required to form letters. All letters are a combination of these shapes and lines.

Young children can start to learn these patterns through their play, long before they are ready to pick up a pencil, moving toys back and forth across the floor or whirling them around in the air. To a child it is just play and fun, but you are doing something far more powerful and constructive by helping them to develop the motor memory patterns and directional movement skills they will need for handwriting.

Later, as their coordination and gross motor skills develop, they make more controlled and varied movement patterns in their play. Changing directions, speed and size are all prerequisite skills needed for learning pre-handwriting patterns.

These handwriting patterns do not need to be taught as worksheet activities (though they do help to perfect shape and pattern formation), drawing pictures and patterns in sand, paint and with other writing tools are all fun ways to practise.

Teaching the handwriting patterns in groups helps to further develop the specific movements (pushes and pulls) required to form them and help commit them to the motor memory. A child can then recall these motor memories to support them as they begin to form letters.

Pre-handwriting patterns that encourage a child to move their pencil from left to right are very important for left-handed writers. They need to be taught this so that they can make the cross motion in the H, T, J, G and I from left to right, as their natural instinct is to go from right to left. If this is not corrected when writing E and F the cross lines will not be “anchored” to the letter.

Once the handwriting patterns have been mastered a child will have the confidence and skills base necessary to start forming letters, numbers and symbols.

Have you got your Free Pre-handwriting Pattern Animations & Worksheets?

For Teachers: https://teachhandwriting.co.uk/pre-handwriting-patterns.html

For Parents: https://teachhandwriting.co.uk/patterns.html