Handwriting Difficulties

Letter and Join Formation Issues

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Single Letter Formation

Some children will have poor letter formation skills because they have missed or just have not been taught how to form their letter correctly.

If your child is struggling with correctly forming their single letters, it can be a good idea to take a step back and check that they can form the pre-handwriting patterns. You might find that they are struggling with some of the line directional pushes and pulls that the patterns support in developing and are needed for forming letters – Parents: https://teachhandwriting.co.uk/parents.html Teachers: https://teachhandwriting.co.uk/pre-handwriting-patterns.html

It is surprising how often the pre-handwriting patterns stage in developing handwriting is skimmed over or just missed out completely.

Unfortunately, the pressure on school to focus on phonics and introducing handwriting as part of the scheme means that children who cannot draw or have experienced pre-handwriting patterns are being asked to form letters. I can’t work out the logic of this approach.

If you take a close look at your child’s lower-case single letter formation you may find that it particular letters that they struggle with.  What you may find is that these letters fall into certain letter family group. So, I would recommend working on the letter family in which the child has the most letter formation difficulties first.

If it is all the letter of the alphabet then I suggest teaching the letter families in the order shown on the website – Parents: https://teachhandwriting.co.uk/parents.html Teachers: https://teachhandwriting.co.uk/key-stage-1-handwriting-routes.html

We recommend focusing on developing a child’s lower-case single letter formation skills first as this about 95% of letter usage they need for writing and reading. Then introduce capital formation.

Why do some children struggle with letter reversal issues?

It is normal for young children to reverse letters and numbers when writing. This should stop by the time they are 6 /7 years old.

Older children can reverse their letters and numbers, when writing, for the following reasons:

  • They have poor visual and motor memory skills and so can’t remember how to form the letters correctly.
  • They have poor bilateral coordination skills.

Games and activities can help them overcome these issues: https://teachhandwriting.co.uk/games.html and https://teachhandwriting.co.uk/warm-ups.html

Teaching the letters in letter families can reduce letter reversal as the reinforcement of the pencil movements helps cement the letter shapes in the visual and motor memory.

We have grouped the letters together in families based on their shape and the directional pushes and pulls of the pencil needed to form them.

By teaching the letters in these families the letters that are most commonly reversed such as ‘b’ and ‘d’ are in different letter families as their start points and initial pushes or pulls of the pencil for them is different, so are reinforced, making it easier for your child to remember them.

Joining Issues

Some children struggle with learning to join because:

  • They may not be forming the single letters correctly. It is best to correct their single letter formation first before moving on to tackle any joining issues. You may find once they have corrected their single letter formation, many of the joining issues have rectified themselves.
  • Some children will find the join strokes a little tricky to start with, so try using the joins section in pre-handwriting patterns to help them learn the additional pencil strokes needed.
  • Some children may not remember which join strokes to use. So, teach the joins in groups, and build up their confidence by starting with the easiest joins – Parents: https://teachhandwriting.co.uk/parents.html Teachers: https://teachhandwriting.co.uk/key-stage-1-handwriting-routes.html
  • Begin by joining 2 or 3 letters together at a time rather than long lines of joins that go across the page. It is best to match the number of letters joining to a sensible word length.
  • Remind your child that the aim is not to take their pencil off the paper until the number of letters in a word has been completed, then they dot the i’s and j’s and cross the t’s and x’s.

Hand Swapping Issues?

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Hand Swapping is a normal developmental stage in infants and young children and therefore, at this stage, not a sign that a child is uncertain of their dominant hand. However, this is not ideal for a child who has started school.

Hand swapping throughout a task is not necessarily a sign that a child is uncertain of their dominant hand.

There are two routes to tackling the hand swapping issue, the one to use depends on your answers to the following questions.

1. Does the child usually start with the one hand and then swap when that hand gets tired?

You can usually tell if this is the case because they may shake out or rub the tired hand and once it is rested go back to using it again. This is probably because their fine motor skills are weak. Through focused games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#hand and https://teachhandwriting.co.uk/warm-ups.html ), the muscle strength and dexterity can be gradually built up in the dominant hand, which in turn will build their stamina so that the hand swapping will reduce until they stop it altogether.

Once you are sure of dominance gently discourage swapping hands by taking a break from the activity and coming back to it a couple of minutes later using the preferred hand.

2. Does the child use their left hand if items are presented on their left-hand side and their right hand if they are presented on the right-hand side?

In toddlers and young children this is expected. In older children however it could mean that they have developed a delay in their skill to cross the mid-line point. This developmental bilateral coordination skill is vital to develop and can be addresses through a range of simple games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#bilat and https://teachhandwriting.co.uk/warm-ups.html ).

Does Your Child Have Weak Hands?

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There have been many articles over the last few years reporting the fact that children are struggling to hold pencils correctly for handwriting and drawing. The reasoning for this is more often than not based on our children’s use of technology and the effect this has on their hand strength and finger dexterity (Fine Motor Skills).

Poor fine motor skills and hand strength not only affects a child’s ability to learn and develop a good handwriting style it can make other grip patterns difficult to master as well. Power, precision, stability or a combination of all three are needed by children to compete everyday tasks such as dressing, picking up and carrying objects (especially small items), using a knife & fork, other tools and scissor skills.

To help improve their overall hand and finger strength check out our games page for ideas:  https://teachhandwriting.co.uk/games.html

Learning to hold a pencil in an appropriate grip is not the only grip style your child needs to develop, especially once they have started school. They will need to develop those which enable them to effectively use scissors as well as a knife and fork. If your child struggles with these activities it may be that they need to be taught how to form the grips correctly (as bad habits develop quickly and are difficult to change) or develop the appropriate hand and finger skills.

How to Hold Scissors

The tip of the thumb is in the top hole of the scissor handle while the tip of the middle finger is in the bottom hole. The index finger is on the bottom edge of the lower handle supporting and stabilising the scissors. The ring and little finger are curled into the palm (except if you are using large scissors as then they will fit in the bottom hole of the handle with the middle finger, to help create the cutting action).

The non-cutting hand should support the paper or item being cut; the thumb is on top of the paper and the fingers underneath, steadying and moving the paper.

How to Hold a Knife & Fork

The handle of the knife or fork lies diagonally across the top section of the palm. The ring and little finger wrap around the handle, the thumb sits on the side of the handle, while the index finger sits flat and straight on the back of the handle. The middle finger curls slightly around the handle so that when the wrist twists round, so that the knife blade edge or prongs of the fork are facing down towards the plate, the handle rests on the top middle finger joint area.

Alternative Efficient Pencil Grips for Handwriting

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Here at Teach Children Ltd we feel this a good definition of an efficient pencil grip for handwriting:

“A pencil hold that provides speed, legibility is comfortable and will not cause harm to the joints of the hand over time. If a hold satisfies these criteria there is no need to change it”

(Benrow 2002, cited: Foundation of Paediatric Practice for the Occupational Therapy Assistant, 2005)

The above publication, and those listed at the end of the articles, explain that there are three efficient pencil grips for handwriting:

1. The Dynamic Tripod Grip (https://teachhandwriting.co.uk/teaching-tripod-pencil-grip.html), is still the most appropriate grip for handwriting (‘Drawbridge Flip’ method), for those with good fine motor skills, as it allows the fingers to move freely; so, the writer can form the letters more smoothly.

2. The Quadrupod Grip (stage 4 of pencil grip development – https://teachhandwriting.co.uk/pencil-grip-development-foundation-stage.html), this grip is a little more restrictive because the fingers cannot move as freely as they would if using the Tripod grip.

However, if the child is complaining that their hand or fingers hurt or ache when they use the Quadrupod Grip, or that it is hindering their handwriting fluidity and speed, then we do need to support them in changing their grip. For some it may be more appropriate to introduce them to the Adaptive Tripod Grip rather than trying to force them to use the Dynamic Tripod Grip.

3. The Adaptive Tripod Grip (https://teachhandwriting.co.uk/adaptive-tripod-grip.html) , developed by the Belgian Neurologist Callewaert in 1963 (cited, Ann-Sofie Selin 2003) is a functional though not conventional grip for handwriting. This grip is often more appropriate to use with children who have low muscle tone or hyper mobility of the finger joints. It can also benefit older children who continue to hold a pencil too tightly, or who hold the pencil lightly using just their fingertips (often writing using whole arm movements), as well as those children who hold a pencil with their thumb wrapped around and across the pencil and index finger.

Changing to the Adaptive Tripod grip is not a quick fix for children who have poor hand and finger strength. These strengths still need to be developed to make handwriting more comfortable.

Bibliography

Ann-Sofie Selin, 2003: Pencil Grip A Descriptive Model and Four Empirical Studies; Abo Akademi University Press

A Wagenteld, J Kaldenberg (co-editors), 2005: Foundation of Paediatric Practice for the Occupational Therapy Assistant; Pub: Slack Incorporated, ISBN-10:1-55642-629-1

Web-sites:

https://www.ot-mom-learning-activities.com/correct-pencil-grasp.html

https://www.otplan.com/articles/pencil-grasp-patterns.aspx

What is classed as a poor pencil grip?

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Once a child has gone through the five pencil grip stages, so after the age of about 6, a poor pencil grip is any that causes:

  • a very small or closed web space (as seen in the two photos below),
  • restricting the movement of the fingers and wrist,
  • makes handwriting hard work.

This is sometimes referred to as a “death grip” pencil grip.

The most effective grip recommended for children by Occupational Therapists and Handwriting Specialists worldwide is the dynamic tripod grip, which gives an open web space. This allows the fingers to move freely so that a fluid handwriting style can be achieved.

For an explanation of what the dynamic tripod grip looks like for left and right-handed writers:  https://teachhandwriting.co.uk/tripod-pencil-grip.html

For videos on how to use our quick drawbridge flip, self-correcting method to help children pick up a pencil so they have holding it correctly in the tripod grip for both left and right-handed writers:  https://teachhandwriting.co.uk/teaching-tripod-pencil-grip.html

Why do Children Fidget or Appear Bored When Handwriting?

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There are two key elements that can cause a child to fidget or appear bored when handwriting, both relate to being able to sit correctly:

  1. The height of the table and chair.
  2. The child’s physical core strength.

Table and Chair Height

A poor and uncomfortable sitting position that causes a child to fidget and wriggle about affects their ability to concentrate and pay attention; for example, when listening to a teacher, as well as distracting them from the task and breaking their train of thought. It also puts unnecessary strain on the body, making sitting tasks such as handwriting more tiring.

When a child is sitting on a chair too high for them, they may sit swinging their legs, causing the body to rock slightly. They might wrap their legs around the legs of the chair to stop them aching, which is not good for their circulation and can cause them to lean back away from the table top. Some children will sit with their legs underneath their bottom which often causes them to lean too far over the table due to being off balance, once again not good for their circulation or for handwriting and other fine motor skill activities such as eating or drawing.

If a table is too high for a child, they will have their arms raised too high, causing tension in the upper arms and shoulders or they may rest their head on the table. Both have a profound effect on a child’s ability to handwrite with fluidity, comfort and for any period of time. Another result of this is a child fidgets as they try to readjust their position to get comfortable, which in turn distracts them from the task at hand. 

For tips and ideas on how to help a child develop a good sitting posture and position for handwriting check out our FAQ section of the ‘Sitting’ section on the Parent area of our website: https://teachhandwriting.co.uk/sitting-faq.html

Teachers will find useful information using this link to our website:

website: https://teachhandwriting.co.uk/handwriting-sitting-position-desk.html

Sitting and Core Strength

We often see children slouched over a desk, laying their head on the table or with their head propped up by their hand and arm, or fidgeting about while they are sitting at the desk writing. This can look as if they are bored and disinterested in what they are doing. However, this is not generally the case.

A poor posture position is not always due to boredom or incorrect chair and table height. For some children it is a lack of body strength or core muscle tone (the large muscle groups that control shoulder stability and the trunk of the body) that work to enable us to sit and stand upright for sustained periods of time.

We expect our children to sit at a desk for long periods of time at school. To be able to maintain a good sitting position for writing over any length of time requires good core strength. Those who lack strong core strength tend to slouch over the desk, lay their head on the desk, hold their head in their hand or pull their chair in so far that they can rest their tummy on the edge of the table to help them keep a more upright position.

This is bad for them, as it puts unnecessary strain on the body, causing neck or backache and discomfort, which in turn make them fidget as they try to get comfortable. All this can distract them from the task in hand and limit their handwriting ability as it reduces their hand and fingers movements to handwrite freely.

For more information, games and activities on developing a child’s core strengths check out our ‘Play’ section of the Parents area of our website: https://teachhandwriting.co.uk/games.html

Teachers will find useful information using this link to our website: https://teachhandwriting.co.uk/handwriting-difficulties.html

Hand Dominance!

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Hand dominance is where one hand has more influence or control than the other. This is sometimes referred to as hand preference, where one hand is preferred or chosen over the other, as it is more reliable in performing a range of skilled activities (handedness).

Children tend to develop hand dominance between the ages of 3-5 years old, for some it may be slightly later and for a few it does not become a subconscious decision until they are 8 or 9 years old. Many children will naturally develop a clear right or left-hand dominance which is greatly influenced by their genetics.

Some can develop a mixed dominance; this is where a child finds they have more control and greater skills for handwriting with say the left hand but prefer and display more precise skills with the right hand in tasks such as using scissors. Studies have shown handedness can be based on the type of muscles used in controlling gross and fine motor skills for completing particular tasks. The control of various muscle types is located in different hemispheres of the brain. Those relating to dexterity (fine motor skills), required for writing, are strongly related to hand dominance, whereas the larger muscle groups (gross motor skills), involving strength, rely less on hand dominance.

Whether a child is right or left-handed does not affect their academic ability or progress, if they have developed and been taught the appropriate key skills. The important thing is not to force particular hand dominance on a child. It will never feel natural for them and the acquisition of gross and fine motor skills will feel awkward and may well appear clumsy, delaying their development, skills ability, confidence and self-esteem.

Only about 1% of the population are truly ambidextrous, which means they are able to perform tasks using either hand with equal skill and proficiency; a rare trait indeed.

Our link to games ideas to help develop and support hand dominance: https://teachhandwriting.co.uk/hand-dominance.html

How Poor Eye Tracking and Spatial Awareness Skills Impact on #Handwriting!

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Eye tracking and/or spatial awareness difficulties can have a dramatic effect on a child’s handwriting ability.  Weak skills in these key areas make it difficult for children to form letters correctly (curves and lines often not joining to complete the letter shape), as well as being unable to appropriately space letters in words and words in sentences. Other poor presentation skills include being unable to write on lines and often missing lines out when following on with a sentence.

It is also worth pointing out that a child with poor eye tracking and/or spatial awareness skills will also find reading difficult.

Eye tracking is the ability to control and coordinate the fine eye movements needed:

  • For left to right eye movements, without moving the head, needed to follow a line of writing as the letters are formed or for reading a line of print.
  • To focus and move the eyes to follow an object without moving the head, in all directions.
  • To track/follow objects near and far.
  • To focus on one object without moving the eyes.

Poor eye tracking skills can make handwriting very difficult, causing letter formation, spacing and positioning problems, leading to poor presentation. Often words are missed out or repeated, causing composition and legibility issues.

Activities that help to build these strengths and skills are: Swing Ball, target games and catching games.

Game idea: Goal post skittles

You need: Posts/marker, large plastic drink bottles/skittles and a range of ball sizes.

How to do it:

Place the posts about 2 metres away from the start position and about half a metre apart. Place the skittles about half a metre behind the posts but directly between them. The child starts by rolling a large ball through the posts to knock the skittles over. Before they roll the ball explain to get a maximum score, they need to knock all the skittles over in one roll and that the best way to do this is to look directly ahead through the posts at the skittles, NOT at the ball or their hand.

It may take a little practise, as they improve, they can use a different size ball or move the skittles so that they form different patterns which means they have to be more accurate with the roll.

This game can also be used as a foot and eye activity, the same rules apply, they must look to where they want the ball to end up not at their feet or the ball, tricky!

Spatial awareness is the ability to be aware of:

  • The space around you and your position in that space.
  • The position and relationship of other objects in relation to one another and yourself.

Poor spatial awareness skills make handwriting difficult as it affects the ability to understand and produce the directional pushes and pulls required to form letters; as well as difficulties with spacing and positioning. Combined, these difficulties can cause poor presentation and possible legibility issues.

Activities that help to build these strengths and skills are: games such as ‘Twister’ or ‘Simon Says’ and jigsaws and pattern making.

Games idea: Pattern making

You need: Beads, building blocks, Lego or shapes.

How to do it:

Talk through the process of making the same pattern as shown on a card or already produced; for instance, the red square goes on the right of the blue square and the yellow square is below the blue square. Ask the child to verbalise what they see and are doing to recreate the pattern.

Patterns can be created and copied with all sorts of items – beads, building blocks, Lego and shapes.

As skill levels improve tessellation (a pattern of shapes that fit perfectly together) activities and square or patterned paper for colouring and creating their own pattern designs are enjoyable.

Other Skills Areas that Affect #Handwriting Development

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Back in January we explained how handwriting is a complex skill that requires good:

  • Gross and fine motor skills,
  • Motor memory skills,
  • Visual memory skills,
  • Spatial awareness skills,
  • Eye tracking skills.

Since then, we have looked at the importance of good gross and fine motor skills in regards to handwriting. So, over the coming weeks we will look at the other areas and other early development areas that are import on the journey to developing a good handwriting style.

Poor Motor Memory and Visual Memory Skills and #Handwriting

Motor memory and visual memory difficulties can have a dramatic effect on a child’s handwriting ability. Possible signs of poor motor memory or visual memory skills can be that their handwriting is slow and deliberate or fast and messy (as they try to hide their letter formation issues), making it difficult to read. They can spend so much time on trying to remember how to form the letters, they have no working memory space left for the important tasks of composing their writing and spelling.

Poor motor memory skills can make handwriting difficult as shapes and letter formation movements are often forgotten, causing letter reversals and incorrectly formed letter shapes, which can make joining a very slow process to learn. A poor and often slow handwriting style can develop as font styles are mixed and capital letters are used inappropriately. Combined, these difficulties can cause poor presentation, spelling and legibility issues.

Poor visual memory skills make handwriting difficult as the ability to recall how letters look and reproduce them with appropriate spacing and positioning is partially or completely lost. This leads to poor letter formation skills, letter reversal along with spelling and presentation difficulties.

Visual memory and motor memory skills are linked and so a game or activity that supports one is likely to support the other.

For games and activities ideas to support and develop these skills use this links: https://teachhandwriting.co.uk/handwriting-motor-skills.html

Is your child reluctant to handwrite or has a poor writing speed?

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There are a number of possible reasons why a child may reluctant to write or have a poor writing speed. Over the last few months, we have looked at a number of these:

  • Having the right writing tool
  • Hand swapping
  • Letter and word spacing
  • Too much or not enough pressure
  • Visual and Motor Memory issues
  • Spatial Awareness and eye tracking issues
  • Copying from the board

Other key areas to look at we have also cover are:

  • Sitting correctly and why they may find this difficult.
  • The importance of learning to position and tilt the paper appropriately.
  • Pencil grip – is the grip appropriate for their age and ability and when to support them.
  • Having the writing hand under the writing line.
  • Learning to write their letter correctly.

Tips for a Child who Actively Avoids, or is Reluctant, to do Writing or Drawing Activities

  • Best tip – Don’t force them, the more you push the more reluctant they will become.
  • Assess their physical ability.
  • If weaknesses are found play the games that will build the appropriate muscles groups.
  • Develop directional skills and shape formation through activities that don’t require a pencil so that they are still developing their motor memory skills which will help them later on when they do start to draw and write.
  • When ready, try timed drawing and writing activities after your child has had a good run around or physical activity (but not when they are tired).
  • Set up a good writing environment where they are sitting comfortably and without distractions, such as the TV.
  • Correct poor posture and keep the activity short. One minute of happy drawing is better than no minutes.
  • Try a ‘Playtime Drawing /Writing Session’ (see below).
  • End the sessions with a fun activity or treat.
  • This will take time, patience and encouragement, each improvement, no matter how small, needs to be recognised and positively praised.
  • Remember as your child’s skills develop so does their confidence to try, and their self-esteem, as they succeed where once they felt they failed.

How to Organise a Playtime Drawing/Writing Session

  • When ready, try timed drawing or writing activities after your child has had a good run around or other physical activity (but not when they are tired).
  • Set up a good writing environment where they are sitting comfortably and without distraction, such as having the TV on.
  • Correct poor posture and keep the activity short – up to 5 minutes initially. However, one minute of happy drawing/writing is better than no minutes.
  • After the drawing/writing play a non-drawing activity or game with your child. Make this break between 3 and 5 minutes long, ensuring your child knows when it will end (use a timer so they can see when they will need to stop)
  • Return to the original drawing/writing activity for up to another 5 minutes.
  • End the sessions with a fun activity or treat.

Tips on Running the Session

  • Start with 2 drawing/writing activities and then slowly increase the drawing/writing time and/or the number of activities and reduce the playtime slot times.
  • You could try to do a couple of these kind of sessions at different times during the day.
  • It may take time for your child to be comfortable with the sessions. You need to show a lot of patience and encouragement, each improvement no matter how small needs to be recognised and positively praised.
  • Remember as your child’s skills develop so does their confidence to try and their self-esteem grows as they succeed where once they felt they failed.