Development

Correctly Naming the Letters of the Alphabet is a Vital Skills

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Learning the unique letter names of the alphabet is a pre-phonics skill; as well as an early learning goal. It has to be remembered that a letter is a shape which only represents a sound when it is placed within a word or sentence (has a context). Also, a letter or combination of letters can represent more than one sound and so the only unique way of identifying alphabet letters when we talk about them is to use their names.                

One of the first things we like a child to be able to write correctly is their name, however most names are impossible to spell using the simple phonics code taught to young children. A name does not have to be long in length to be phonetically difficult to spell such as Christopher or Charlotte. Shorter names such as Lucy or Liam also cause a problem. 

The only logical answer is to use the letter names (an alphabet coding system) alongside the simple phonics system introduced to young children. 

Jim Rose in his report back in 2006 ‘The Independent review of the teaching of early reading, final report’ highlighted the fact that:

“… research indicates that children often learn letter names earlier than they learn letter sounds and that five year olds who know more letter names also know more letter sounds. The reasons for this are not fully understood by researchers.”

It is important to remember that just because a child can correctly recite the ‘Alphabet’ song it does not mean they know the letters of the alphabet. It is surprising how many children can do this but when shown letters from the alphabet cannot name them at all. They may be able to tell you the sound the letter makes but have no idea of the letters name.

Link to our teach phonics website page (scroll down the page) with an animation with the alphabet letter names: https://www.teachphonics.co.uk/phonics-graphemes.html

To use, or not to use, a pencil grip aids?

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Aids to support good pencil grip can be very useful for some pupils. However, one of the issues with their use is that, when a pupil has not got the pencil grips to hand, they revert back to the original poor grip position.

Pencil grip aids generally do not correct the grip, they just force the hand and fingers into the correct position for writing. To correct the grip permanently the physical factors that have created the incorrect grip need to be addressed.

The use of grips can encourage a pupil to write more fluently, building their self-esteem, whilst you work on correcting the factors that have caused a poor grip to form. The long-term aim must always be to get the pupil to grip the pencil correctly without the use of aids.

Hand Dominance!

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Hand dominance is where one hand has more influence or control than the other. This is sometimes referred to as hand preference, where one hand is preferred or chosen over the other, as it is more reliable in performing a range of skilled activities (handedness).

Children tend to develop hand dominance between the ages of 3-5 years old, for some it may be slightly later and for a few it does not become a subconscious decision until they are 8 or 9 years old. Many children will naturally develop a clear right or left-hand dominance which is greatly influenced by their genetics.

Some can develop a mixed dominance; this is where a child finds they have more control and greater skills for handwriting with say the left hand but prefer and display more precise skills with the right hand in tasks such as using scissors. Studies have shown handedness can be based on the type of muscles used in controlling gross and fine motor skills for completing particular tasks. The control of various muscle types is located in different hemispheres of the brain. Those relating to dexterity (fine motor skills), required for writing, are strongly related to hand dominance, whereas the larger muscle groups (gross motor skills), involving strength, rely less on hand dominance.

Whether a child is right or left-handed does not affect their academic ability or progress, if they have developed and been taught the appropriate key skills. The important thing is not to force particular hand dominance on a child. It will never feel natural for them and the acquisition of gross and fine motor skills will feel awkward and may well appear clumsy, delaying their development, skills ability, confidence and self-esteem.

Only about 1% of the population are truly ambidextrous, which means they are able to perform tasks using either hand with equal skill and proficiency; a rare trait indeed.

Our link to games ideas to help develop and support hand dominance: https://teachhandwriting.co.uk/hand-dominance.html

The Five Stages of Pencil Grip Development

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There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This give an open wide web space which means the movement comes from the fingers.

For more information on the five stages of pencil grip development click on the following link: https://teachhandwriting.co.uk/grip-development.html

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for gluing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see:

How Poor Eye Tracking and Spatial Awareness Skills Impact on #Handwriting!

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Eye tracking and/or spatial awareness difficulties can have a dramatic effect on a child’s handwriting ability.  Weak skills in these key areas make it difficult for children to form letters correctly (curves and lines often not joining to complete the letter shape), as well as being unable to appropriately space letters in words and words in sentences. Other poor presentation skills include being unable to write on lines and often missing lines out when following on with a sentence.

It is also worth pointing out that a child with poor eye tracking and/or spatial awareness skills will also find reading difficult.

Eye tracking is the ability to control and coordinate the fine eye movements needed:

  • For left to right eye movements, without moving the head, needed to follow a line of writing as the letters are formed or for reading a line of print.
  • To focus and move the eyes to follow an object without moving the head, in all directions.
  • To track/follow objects near and far.
  • To focus on one object without moving the eyes.

Poor eye tracking skills can make handwriting very difficult, causing letter formation, spacing and positioning problems, leading to poor presentation. Often words are missed out or repeated, causing composition and legibility issues.

Activities that help to build these strengths and skills are: Swing Ball, target games and catching games.

Game idea: Goal post skittles

You need: Posts/marker, large plastic drink bottles/skittles and a range of ball sizes.

How to do it:

Place the posts about 2 metres away from the start position and about half a metre apart. Place the skittles about half a metre behind the posts but directly between them. The child starts by rolling a large ball through the posts to knock the skittles over. Before they roll the ball explain to get a maximum score, they need to knock all the skittles over in one roll and that the best way to do this is to look directly ahead through the posts at the skittles, NOT at the ball or their hand.

It may take a little practise, as they improve, they can use a different size ball or move the skittles so that they form different patterns which means they have to be more accurate with the roll.

This game can also be used as a foot and eye activity, the same rules apply, they must look to where they want the ball to end up not at their feet or the ball, tricky!

Spatial awareness is the ability to be aware of:

  • The space around you and your position in that space.
  • The position and relationship of other objects in relation to one another and yourself.

Poor spatial awareness skills make handwriting difficult as it affects the ability to understand and produce the directional pushes and pulls required to form letters; as well as difficulties with spacing and positioning. Combined, these difficulties can cause poor presentation and possible legibility issues.

Activities that help to build these strengths and skills are: games such as ‘Twister’ or ‘Simon Says’ and jigsaws and pattern making.

Games idea: Pattern making

You need: Beads, building blocks, Lego or shapes.

How to do it:

Talk through the process of making the same pattern as shown on a card or already produced; for instance, the red square goes on the right of the blue square and the yellow square is below the blue square. Ask the child to verbalise what they see and are doing to recreate the pattern.

Patterns can be created and copied with all sorts of items – beads, building blocks, Lego and shapes.

As skill levels improve tessellation (a pattern of shapes that fit perfectly together) activities and square or patterned paper for colouring and creating their own pattern designs are enjoyable.

Other Skills Areas that Affect #Handwriting Development

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Back in January we explained how handwriting is a complex skill that requires good:

  • Gross and fine motor skills,
  • Motor memory skills,
  • Visual memory skills,
  • Spatial awareness skills,
  • Eye tracking skills.

Since then, we have looked at the importance of good gross and fine motor skills in regards to handwriting. So, over the coming weeks we will look at the other areas and other early development areas that are import on the journey to developing a good handwriting style.

Poor Motor Memory and Visual Memory Skills and #Handwriting

Motor memory and visual memory difficulties can have a dramatic effect on a child’s handwriting ability. Possible signs of poor motor memory or visual memory skills can be that their handwriting is slow and deliberate or fast and messy (as they try to hide their letter formation issues), making it difficult to read. They can spend so much time on trying to remember how to form the letters, they have no working memory space left for the important tasks of composing their writing and spelling.

Poor motor memory skills can make handwriting difficult as shapes and letter formation movements are often forgotten, causing letter reversals and incorrectly formed letter shapes, which can make joining a very slow process to learn. A poor and often slow handwriting style can develop as font styles are mixed and capital letters are used inappropriately. Combined, these difficulties can cause poor presentation, spelling and legibility issues.

Poor visual memory skills make handwriting difficult as the ability to recall how letters look and reproduce them with appropriate spacing and positioning is partially or completely lost. This leads to poor letter formation skills, letter reversal along with spelling and presentation difficulties.

Visual memory and motor memory skills are linked and so a game or activity that supports one is likely to support the other.

For games and activities ideas to support and develop these skills use this links: https://teachhandwriting.co.uk/handwriting-motor-skills.html

Half Term Fun – Indoor/Outdoor Circuits Ideas

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Well, true to form, the half term holiday weather is a mixed bag, sunny one minute then pouring with rain the next!  

So, here are a couple of ideas to help your child burn off some of that pent-up energy. Best of all you can class it as handwriting homework (working on gross and fine motor skills).

An indoor/outdoor circuit training course does not have to take up much space or be messy (but it might be a good idea if indoors to move ornaments a little further out of the way).

Simple activities can be fun if they are done for short periods of time and children do love a time challenge. Make each activity last anything from 30 seconds to 1 minute.

You could record how many they did in the time and see if they have improved when you try it again.

Why not try:

  • Hopping on one leg and then the other (balance & coordination)
  • Use the bottom step of the stairs for step ups (bilateral coordination)
  • Curl ups (Core strength)
  • With a cushion balanced on their head can they touch their toes without dropping the cushion (balance, coordination, bilateral coordination and core strength)
  • Star Jumps (balance & coordination)

It is amazing how much fun you can have just hopping, jumping, skipping and dancing on the spot.

If the weather is fine then set out a bike or skateboard track for racing. When out on a bike ride (if safe to do so) have mini time trials on the flat or up hills.

If you are feeling really brave why not try building an obstacle course, a lot of the fun is in the designing and making. It is amazing the communication and language skills required as well.

Let go and have fun!!!

Warm up For Handwriting!

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Before starting to work on letter formation, joins or even the pre-handwriting patterns it is a good idea to help focus your child’s body on the activity that it is about to be performed in a fun and relaxed way.

The exercises only take a couple of minutes to do. Not only can they be done at the beginning of the session but throughout and at the end to help relax muscles and release tension that may build up over the session. Tense muscles can make handwriting activities difficult and tiring for your child.

They are fun to do, which usually brings a smile and often laughter, an added tonic to any learning experience.

Five areas to support the body with handwriting are covered in the warm up exercises:

  1. Shoulder stability and strength
  2. Crossing the mid-line
  3. Wrist strength and flexibility
  4. Thumb and finger strength and dexterity
  5. Whole hand strength and dexterity

For more information go to our teach handwriting website here is a direct link to the warm up page:  https://teachhandwriting.co.uk/warm-ups.html

Good Sitting Position for #HandwritingPaper Position & Tilt are Important for Good

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The paper position and tilt on the desk, for both right and left-handed writers, can make a big difference to a child’s handwriting experience and comfort and yet it is an element which is often neglected.

The correct paper position and tilt enables your child to handwrite comfortably while being able to see what they are writing. It also allows the non-writing hand to move the paper up the table so that the writing hand elbow can stay in the same position. The aim is to have the paper move up the table, rather than the writing hand moving down and eventually off the table.

With the non-writing hand moving the paper up the table the writing line stays in the same place which means eye movements are less, helping to make the writing experience less tiring and stressful.

If the paper is positioned and tilted correctly, with their writing hand under the writing line, they will also be able to see more easily what they have just written and where to place the next letter, word or section of text on the page. This is especially important for left-handed writers.

The most appropriate paper tilt angle is generally suggested as anywhere between 20 to 45 degrees anti-clockwise for right-handed writers and 30 to 45 degrees clockwise for left-handed writers.

For more tips and advice on developing a good paper position and tilt:

For Parents: https://teachhandwriting.co.uk/paper-position.html

For Teachers: https://teachhandwriting.co.uk/paper-position-for-comfortable-handwriting.html

Vertical to Horizontal Surfaces for Handwriting

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Young children, due to the stage of their physical development, draw from the shoulder rather than the elbow and wrist using large arm movements. At this stage they often prefer vertical drawing and painting surfaces as it allows a free range of movements. This is often why young children will write on walls, not because they are being naughty but because it just feels comfortable and so more enjoyable.

Drawing and writing on a vertical surface is important at this stage; as it helps young children develop the wrist strength and flexibility they will need later on to hold a pencil correctly for handwriting.

The jump from a vertical to a horizontal writing surface can seem too great for some children; due to their stage of development. These children may benefit from the paper being positioned on a sloped board.

If you are not sure whether a child needs a sloped board for handwriting, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out; you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, the child prefers.

A homemade sloped board is just as effective as a bought one. Often a child only requires one for a short amount of time and quickly moves to writing on a horizontal surface. For a few children a sloped surface may be required for a few years, or indefinitely, in which case a purpose bought sloped writing board is a sounder investment.