The Five Stages of Pencil Grip Development

There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This give an open wide web space which means the movement comes from the fingers.

For more information on the five stages of pencil grip development click on the following link: https://teachhandwriting.co.uk/grip-development.html

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for gluing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see:

How Poor Eye Tracking and Spatial Awareness Skills Impact on #Handwriting!

Eye tracking and/or spatial awareness difficulties can have a dramatic effect on a child’s handwriting ability.  Weak skills in these key areas make it difficult for children to form letters correctly (curves and lines often not joining to complete the letter shape), as well as being unable to appropriately space letters in words and words in sentences. Other poor presentation skills include being unable to write on lines and often missing lines out when following on with a sentence.

It is also worth pointing out that a child with poor eye tracking and/or spatial awareness skills will also find reading difficult.

Eye tracking is the ability to control and coordinate the fine eye movements needed:

  • For left to right eye movements, without moving the head, needed to follow a line of writing as the letters are formed or for reading a line of print.
  • To focus and move the eyes to follow an object without moving the head, in all directions.
  • To track/follow objects near and far.
  • To focus on one object without moving the eyes.

Poor eye tracking skills can make handwriting very difficult, causing letter formation, spacing and positioning problems, leading to poor presentation. Often words are missed out or repeated, causing composition and legibility issues.

Activities that help to build these strengths and skills are: Swing Ball, target games and catching games.

Game idea: Goal post skittles

You need: Posts/marker, large plastic drink bottles/skittles and a range of ball sizes.

How to do it:

Place the posts about 2 metres away from the start position and about half a metre apart. Place the skittles about half a metre behind the posts but directly between them. The child starts by rolling a large ball through the posts to knock the skittles over. Before they roll the ball explain to get a maximum score, they need to knock all the skittles over in one roll and that the best way to do this is to look directly ahead through the posts at the skittles, NOT at the ball or their hand.

It may take a little practise, as they improve, they can use a different size ball or move the skittles so that they form different patterns which means they have to be more accurate with the roll.

This game can also be used as a foot and eye activity, the same rules apply, they must look to where they want the ball to end up not at their feet or the ball, tricky!

Spatial awareness is the ability to be aware of:

  • The space around you and your position in that space.
  • The position and relationship of other objects in relation to one another and yourself.

Poor spatial awareness skills make handwriting difficult as it affects the ability to understand and produce the directional pushes and pulls required to form letters; as well as difficulties with spacing and positioning. Combined, these difficulties can cause poor presentation and possible legibility issues.

Activities that help to build these strengths and skills are: games such as ‘Twister’ or ‘Simon Says’ and jigsaws and pattern making.

Games idea: Pattern making

You need: Beads, building blocks, Lego or shapes.

How to do it:

Talk through the process of making the same pattern as shown on a card or already produced; for instance, the red square goes on the right of the blue square and the yellow square is below the blue square. Ask the child to verbalise what they see and are doing to recreate the pattern.

Patterns can be created and copied with all sorts of items – beads, building blocks, Lego and shapes.

As skill levels improve tessellation (a pattern of shapes that fit perfectly together) activities and square or patterned paper for colouring and creating their own pattern designs are enjoyable.

Other Skills Areas that Affect #Handwriting Development

Back in January we explained how handwriting is a complex skill that requires good:

  • Gross and fine motor skills,
  • Motor memory skills,
  • Visual memory skills,
  • Spatial awareness skills,
  • Eye tracking skills.

Since then, we have looked at the importance of good gross and fine motor skills in regards to handwriting. So, over the coming weeks we will look at the other areas and other early development areas that are import on the journey to developing a good handwriting style.

Poor Motor Memory and Visual Memory Skills and #Handwriting

Motor memory and visual memory difficulties can have a dramatic effect on a child’s handwriting ability. Possible signs of poor motor memory or visual memory skills can be that their handwriting is slow and deliberate or fast and messy (as they try to hide their letter formation issues), making it difficult to read. They can spend so much time on trying to remember how to form the letters, they have no working memory space left for the important tasks of composing their writing and spelling.

Poor motor memory skills can make handwriting difficult as shapes and letter formation movements are often forgotten, causing letter reversals and incorrectly formed letter shapes, which can make joining a very slow process to learn. A poor and often slow handwriting style can develop as font styles are mixed and capital letters are used inappropriately. Combined, these difficulties can cause poor presentation, spelling and legibility issues.

Poor visual memory skills make handwriting difficult as the ability to recall how letters look and reproduce them with appropriate spacing and positioning is partially or completely lost. This leads to poor letter formation skills, letter reversal along with spelling and presentation difficulties.

Visual memory and motor memory skills are linked and so a game or activity that supports one is likely to support the other.

For games and activities ideas to support and develop these skills use this links: https://teachhandwriting.co.uk/handwriting-motor-skills.html

Half Term Fun – Indoor/Outdoor Circuits Ideas

Well, true to form, the half term holiday weather is a mixed bag, sunny one minute then pouring with rain the next!  

So, here are a couple of ideas to help your child burn off some of that pent-up energy. Best of all you can class it as handwriting homework (working on gross and fine motor skills).

An indoor/outdoor circuit training course does not have to take up much space or be messy (but it might be a good idea if indoors to move ornaments a little further out of the way).

Simple activities can be fun if they are done for short periods of time and children do love a time challenge. Make each activity last anything from 30 seconds to 1 minute.

You could record how many they did in the time and see if they have improved when you try it again.

Why not try:

  • Hopping on one leg and then the other (balance & coordination)
  • Use the bottom step of the stairs for step ups (bilateral coordination)
  • Curl ups (Core strength)
  • With a cushion balanced on their head can they touch their toes without dropping the cushion (balance, coordination, bilateral coordination and core strength)
  • Star Jumps (balance & coordination)

It is amazing how much fun you can have just hopping, jumping, skipping and dancing on the spot.

If the weather is fine then set out a bike or skateboard track for racing. When out on a bike ride (if safe to do so) have mini time trials on the flat or up hills.

If you are feeling really brave why not try building an obstacle course, a lot of the fun is in the designing and making. It is amazing the communication and language skills required as well.

Let go and have fun!!!

Warm up For Handwriting!

Before starting to work on letter formation, joins or even the pre-handwriting patterns it is a good idea to help focus your child’s body on the activity that it is about to be performed in a fun and relaxed way.

The exercises only take a couple of minutes to do. Not only can they be done at the beginning of the session but throughout and at the end to help relax muscles and release tension that may build up over the session. Tense muscles can make handwriting activities difficult and tiring for your child.

They are fun to do, which usually brings a smile and often laughter, an added tonic to any learning experience.

Five areas to support the body with handwriting are covered in the warm up exercises:

  1. Shoulder stability and strength
  2. Crossing the mid-line
  3. Wrist strength and flexibility
  4. Thumb and finger strength and dexterity
  5. Whole hand strength and dexterity

For more information go to our teach handwriting website here is a direct link to the warm up page:  https://teachhandwriting.co.uk/warm-ups.html

Good Sitting Position for #HandwritingPaper Position & Tilt are Important for Good

The paper position and tilt on the desk, for both right and left-handed writers, can make a big difference to a child’s handwriting experience and comfort and yet it is an element which is often neglected.

The correct paper position and tilt enables your child to handwrite comfortably while being able to see what they are writing. It also allows the non-writing hand to move the paper up the table so that the writing hand elbow can stay in the same position. The aim is to have the paper move up the table, rather than the writing hand moving down and eventually off the table.

With the non-writing hand moving the paper up the table the writing line stays in the same place which means eye movements are less, helping to make the writing experience less tiring and stressful.

If the paper is positioned and tilted correctly, with their writing hand under the writing line, they will also be able to see more easily what they have just written and where to place the next letter, word or section of text on the page. This is especially important for left-handed writers.

The most appropriate paper tilt angle is generally suggested as anywhere between 20 to 45 degrees anti-clockwise for right-handed writers and 30 to 45 degrees clockwise for left-handed writers.

For more tips and advice on developing a good paper position and tilt:

For Parents: https://teachhandwriting.co.uk/paper-position.html

For Teachers: https://teachhandwriting.co.uk/paper-position-for-comfortable-handwriting.html

Vertical to Horizontal Surfaces for Handwriting

Young children, due to the stage of their physical development, draw from the shoulder rather than the elbow and wrist using large arm movements. At this stage they often prefer vertical drawing and painting surfaces as it allows a free range of movements. This is often why young children will write on walls, not because they are being naughty but because it just feels comfortable and so more enjoyable.

Drawing and writing on a vertical surface is important at this stage; as it helps young children develop the wrist strength and flexibility they will need later on to hold a pencil correctly for handwriting.

The jump from a vertical to a horizontal writing surface can seem too great for some children; due to their stage of development. These children may benefit from the paper being positioned on a sloped board.

If you are not sure whether a child needs a sloped board for handwriting, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out; you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, the child prefers.

A homemade sloped board is just as effective as a bought one. Often a child only requires one for a short amount of time and quickly moves to writing on a horizontal surface. For a few children a sloped surface may be required for a few years, or indefinitely, in which case a purpose bought sloped writing board is a sounder investment.

Transferring handwriting skills from worksheets to paper 

At Teach Children our aim is to move children off of worksheets as soon as possible. To achieve this, it is important to encourage them to transfer their skills to plain or lined paper whichever is most appropriate to their ability level. We realise that it is not always possible to buy paper with the appropriate line height in all cases, so would recommend creating your own on the computer.

  • Use a combination of worksheets and lined paper in each handwriting session with your child:
  • Use the colour worksheet, or a grey scale version, and complete one or two rows.
  • Then encourage the child to try the same patterns or letters on appropriately lined paper, again try one or two rows only.

Hopefully the worksheet will last over a couple of handwriting sessions and you and the child will see an improvement over the time. The sooner they learn to transfer their skills to paper the better.

We realise that printing off our worksheets and coloured lined paper can become costly so, to help reduce the costs:

  • Use a colour version of the appropriate worksheet initially and then try printing in grey scale. Children usually make the adjustment to grey scale well once they are used to how the picture clues and colours work.
  • You could also use the grey scale worksheets and colour the start of each row with the appropriate colour.

Making it Easier to Copy from the Board

Copying accurately and quickly from a board at the front of a classroom can be a challenge at the best of times. For young children and those with specific learning difficulties it can be near on impossible. It is amazing how many children lose some, if not all, of a break time because they could not complete the copying task quickly enough in the lesson time.

The practise of taking information off the board has its uses and there are times when there is just no other alternative but it can be made more manageable, here are a few ideas which may help.

  • Make sure the child is sitting facing the board.
  • That they can see the board clearly.
  • That light is not reflecting off the board so that the writing disappears.
  • Try using a different colour marker pen for each line of writing (this way a child will be able to quickly locate the line they were copying from).
  • Or try numbering the lines so the child can more effectively find their way around the text.
  • Leave more of a gap between each line of writing so that each line is clearly visible from the back of the room.
  • Ask those children, who struggle copying, to start the first line of writing as you transfer the text to a smaller board which can then be placed at a more appropriate distance and level for them to continue copying from.
  • If you know the information that will need to be transferred to the child’s book then pre-prepare a text that can be given to the child to copy from. It may be in a different order or layout to that on the board; but it is the information and the child’s ability to access it, that is important.
  • Is a full sentence explanation always required or could the information be presented in another way such as a mind map or diagram which would be equally, or even more, useful to the child.

It can be surprising how frustrating and upsetting being asked to copy from the board can be for many children. So, anything that can help to alleviate these emotions and difficulties has got to be worth a try!

Treasure Hunts Develop both Handwriting & Language Skills

The Easter Holidays are here, so here are some fun activities to keep children of all ages entertained whether we have rain or sunshine.

A treasure hunt is a great way to teach children directional language. Being able to understand directional and placement (prepositions) vocabulary is important for understanding everyday instructions such as ‘put your cup on the table’; ‘go along the hall and stop at the door in front of you’.

We also use this directional language to explain how to draw patterns and write letters, which is another reason why it is important for young children to be introduced to, and have a good understanding of, this kind of vocabulary.

Through treasure hunts you can introduce new directional and placement language in a fun and exciting way. There are a number of different ways to approach this:

  • You can give verbal instructions to the hidden treasure.
  • You could create a map for them to follow and ask them to talk you through the map, supporting them with new language as necessary.
  • You could use a mixture of verbal and map clues.
  • For older children get them to hide the treasure and give you instructions, or draw a map.
  • If you have more than one treasure and they are of different sizes make the larger ones more difficult to find.

The important thing is the language shared. Words and phrases to use are: left, right, straight on, forward, backwards, about turn, turn around, up, down, higher, lower, stop, next to, in front, beside, underneath, on top of, behind, on the left of, on the right of, outside, and inside.

Treasure hunts are a great whole family activity and you are never too young or too old to join in!