Is your child reluctant to handwrite or has a poor writing speed?

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There are a number of possible reasons why a child may reluctant to write or have a poor writing speed. Over the last few months, we have looked at a number of these:

  • Having the right writing tool
  • Hand swapping
  • Letter and word spacing
  • Too much or not enough pressure
  • Visual and Motor Memory issues
  • Spatial Awareness and eye tracking issues
  • Copying from the board

Other key areas to look at we have also cover are:

  • Sitting correctly and why they may find this difficult.
  • The importance of learning to position and tilt the paper appropriately.
  • Pencil grip – is the grip appropriate for their age and ability and when to support them.
  • Having the writing hand under the writing line.
  • Learning to write their letter correctly.

Tips for a Child who Actively Avoids, or is Reluctant, to do Writing or Drawing Activities

  • Best tip – Don’t force them, the more you push the more reluctant they will become.
  • Assess their physical ability.
  • If weaknesses are found play the games that will build the appropriate muscles groups.
  • Develop directional skills and shape formation through activities that don’t require a pencil so that they are still developing their motor memory skills which will help them later on when they do start to draw and write.
  • When ready, try timed drawing and writing activities after your child has had a good run around or physical activity (but not when they are tired).
  • Set up a good writing environment where they are sitting comfortably and without distractions, such as the TV.
  • Correct poor posture and keep the activity short. One minute of happy drawing is better than no minutes.
  • Try a ‘Playtime Drawing /Writing Session’ (see below).
  • End the sessions with a fun activity or treat.
  • This will take time, patience and encouragement, each improvement, no matter how small, needs to be recognised and positively praised.
  • Remember as your child’s skills develop so does their confidence to try, and their self-esteem, as they succeed where once they felt they failed.

How to Organise a Playtime Drawing/Writing Session

  • When ready, try timed drawing or writing activities after your child has had a good run around or other physical activity (but not when they are tired).
  • Set up a good writing environment where they are sitting comfortably and without distraction, such as having the TV on.
  • Correct poor posture and keep the activity short – up to 5 minutes initially. However, one minute of happy drawing/writing is better than no minutes.
  • After the drawing/writing play a non-drawing activity or game with your child. Make this break between 3 and 5 minutes long, ensuring your child knows when it will end (use a timer so they can see when they will need to stop)
  • Return to the original drawing/writing activity for up to another 5 minutes.
  • End the sessions with a fun activity or treat.

Tips on Running the Session

  • Start with 2 drawing/writing activities and then slowly increase the drawing/writing time and/or the number of activities and reduce the playtime slot times.
  • You could try to do a couple of these kind of sessions at different times during the day.
  • It may take time for your child to be comfortable with the sessions. You need to show a lot of patience and encouragement, each improvement no matter how small needs to be recognised and positively praised.
  • Remember as your child’s skills develop so does their confidence to try and their self-esteem grows as they succeed where once they felt they failed.

Too much Pressure or not Enough – #Handwriting?

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Some children may hold a pencil correctly but struggle to maintain and control the pressure required to handwrite.

Here are some additional tips to help support a child who is pressing down too hard with their pencil:

Some children may hold a pencil correctly but struggle to maintain and control the pressure required to handwrite.
Here are some additional tips to help support a child who is pressing down too hard with their pencil:
Focused games and activities can help develop both the physical strength and sensory perception areas.
• Make sure that the pencil isn’t gripped too close to the tip of the pencil (check out the how to teach section for more information).
• Play dough writing – flatten a large piece of play dough/clay on to a desk and using a pencil write or draw onto it. The idea is to create smooth lines, not torn ones, which pressing too hard will create. The advantage of this activity is it gives a child instant feedback about whether they are pressing too hard or not. When a good pressure has been found ask the child to try doing it with their eyes closed and talk through how their body feels when they are using the right amount of pressure.
• Corrugated card – place some corrugated card under the writing paper – the aim is to try not to flatten the bumps in the card.
• Tin foil writing board – wrap a piece of card in tin foil and place the paper on top, the aim is to not rip the foil when writing.
• Carbon copies – use carbon paper to create an extra copy, start with two or three sheets of paper on top of the carbon paper then move to two and then one, so that your child starts developing an understanding of how much pressure is needed for a task and how that feels. Talk through with them how it feels as they need less pressure to create a copy.
• Pattern work – look at and discuss light and dark line patterns and how to create them. Then using different writing tools ask the child to try and create their own. Talk through how it feels when they are making dark lines compared to faint/pale colour lines using the same pencil or crayon.
Here are some additional tips to help support a child who is Not pressing down hard enough with their pencil:

Focused games and activities can help develop the physical strength and sensory perception areas.

• Crayon rubbings – when a good pressure has been found ask the child to try doing it with their eyes closed and talk through how their body feels when they are using the right amount of pressure.
• Wax drawings – rub a wax crayon all over a piece of paper then turn it over on to a plain piece of paper. Draw on the back of the wax crayoned paper and when finished lift and see another copy of the picture. The greater the pressure the more complete the hidden picture will appear.
• Carbon copies – use carbon paper to create an extra copy, start with one sheet of paper on top of the carbon paper then move to two so that the child starts to develop an understanding of how much pressure is needed for a task and how that feels.
• Use a softer pencil such as a B6 or B4 and slowly change the pencils so that they work up to a HB. Each pencil change will mean they have to exert a little more pressure to create the same line mark. B marked pencils are softer than H.
• Pattern work – look at and discuss light and dark line patterns and how to create them. Then using different writing tools ask the child to try and create their own. Talk through how it feels when they are making dark lines compared to faint/pale colour lines using the same pencil or crayon.

  • Make sure that the pencil isn’t gripped too close to the tip of the pencil (check out the how to teach section for more information).
  • Play dough writing – flatten a large piece of play dough/clay on to a desk and using a pencil write or draw onto it. The idea is to create smooth lines, not torn ones, which pressing too hard will create. The advantage of this activity is it gives a child instant feedback about whether they are pressing too hard or not. When a good pressure has been found ask the child to try doing it with their eyes closed and talk through how their body feels when they are using the right amount of pressure.
  • Corrugated card – place some corrugated card under the writing paper – the aim is to try not to flatten the bumps in the card.
  • Tin foil writing board – wrap a piece of card in tin foil and place the paper on top, the aim is to not rip the foil when writing.
  • Carbon copies – use carbon paper to create an extra copy, start with two or three sheets of paper on top of the carbon paper then move to two and then one, so that your child starts developing an understanding of how much pressure is needed for a task and how that feels. Talk through with them how it feels as they need less pressure to create a copy.
  • Pattern work – look at and discuss light and dark line patterns and how to create them. Then using different writing tools ask the child to try and create their own. Talk through how it feels when they are making dark lines compared to faint/pale colour lines using the same pencil or crayon.

Here are some additional tips to help support a child who is Not pressing down hard enough with their pencil:

Focused games and activities can help develop the physical strength and sensory perception areas.

  • Crayon rubbings – when a good pressure has been found ask the child to try doing it with their eyes closed and talk through how their body feels when they are using the right amount of pressure.
  • Wax drawings – rub a wax crayon all over a piece of paper then turn it over on to a plain piece of paper. Draw on the back of the wax crayoned paper and when finished lift and see another copy of the picture. The greater the pressure the more complete the hidden picture will appear.
  • Carbon copies – use carbon paper to create an extra copy, start with one sheet of paper on top of the carbon paper then move to two so that the child starts to develop an understanding of how much pressure is needed for a task and how that feels.
  • Use a softer pencil such as a B6 or B4 and slowly change the pencils so that they work up to a HB. Each pencil change will mean they have to exert a little more pressure to create the same line mark. B marked pencils are softer than H.
  • Pattern work – look at and discuss light and dark line patterns and how to create them. Then using different writing tools ask the child to try and create their own. Talk through how it feels when they are making dark lines compared to faint/pale colour lines using the same pencil or crayon.

#Handwriting Letter & Word Spacing Issues

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Some children find it difficult to space their letters in words correctly and to show spacing between words. There can be a number of reasons for this:

  1. They may not understand the concept or conventions of spacing words and letters and this needs to be explained.
  2. Other Physical Skills such as poor spatial awareness skills, eye tracking or general eyesight.
  3. Poor Key Strengths and/or Key Abilities elements, required for handwriting, such as sitting position, paper position, pencil grip, hand position and letter formation knowledge may also be hindering them.

 ‘Tips to support letter and word spacing’ will help you to identify if your child is having difficulty in understanding the spacing conventions and how to support them: https://teachhandwriting.co.uk/spacing-difficulties.html

Games and activity ideas to develop a child’s physical skills for handwriting: https://teachhandwriting.co.uk/handwriting-motor-skills.html

Hand Swapping Issues?

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Hand Swapping is a normal developmental stage in infants and young children and therefore, at this stage, not a sign that a child is uncertain of their dominant hand. However, this is not ideal for a child who has started school.

Hand swapping throughout a task is not necessarily a sign that a child is uncertain of their dominant hand.

There are two routes to tackling the hand swapping issue, the one to use depends on your answers to the following questions.

1. Does the child usually start with the one hand and then swap when that hand gets tired?

You can usually tell if this is the case because they may shake out or rub the tired hand and once it is rested go back to using it again. This is probably because their fine motor skills are weak. Through focused games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#hand ), the muscle strength and dexterity can be gradually built up in the dominant hand, which in turn will build their stamina so that the hand swapping will reduce until they stop it altogether.

Once you are sure of dominance gently discourage swapping hands by taking a break from the activity and coming back to it a couple of minutes later using the preferred hand.

2. Does the child use their left hand if items are presented on their left-hand side and their right hand if they are presented on the right-hand side?

In toddlers and young children this is expected. In older children however it could mean that they have developed a delay in their skill to cross the mid-line point. This developmental bilateral coordination skill is vital to develop and can be addresses through a range of simple games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#bilat ).

Choosing a Pen for Handwriting

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Choosing and using the right pen can help to avoid smudging; make handwriting look smarter and prevent hand strain when writing for extended periods of time. Everyone is different, so the type of pen required is different too.

There are three main points to think about when choosing a pen for handwriting:

  1. The type of ink it uses.
  2. The size and weight of the pen.
  3. The type of point it has.

1. Types of ink used:

  • Oil-based ink
    • The ink is quick drying and so does not smudge easily
    • The ink flows smoothly depending on the point style of the pen
    • Ink can stop and start for no apparent reason
    • Water-based ink
      • The ink does not dry as quickly as oil-based ink so can smudge
      • The ink flows very smoothly

2. Pen sizes and weights

Because pens come in different shapes, sizes and weights it is important for your child to try out a range of pen styles to help them find the best fit for them. Remember one pen style does not suit all, everyone’s hand size and finger length are different.

Things to consider when choosing a pen:

  • Does it feel too short or too long?
  • Does it feel too thin or too thick?
  • Does it feel too heavy or too light?
  • Some children like a smooth round pen shape.
  • Some prefer a textured round pen shape.
  • While others may prefer a hexagon shaped pen.

3. Pen points

Pens come with different point or nib widths and shapes. The size and shape of the point gives different line thicknesses and are usually purchased as point sizes: extra fine, fine, medium or bold (some will have a measurement on as well).

A fine pen point produces thin lines and some children will find this can help to make writing neater.

A medium and bold point give thicker lines which many may find smoother to write with, though the letter size may be slightly larger because of it.

Once again it is important that children try out a range of pen point sizes to help them find the best fit for them.

Remember one pen point style does not suit all, everyone’s fine motor skills and writing pressures are different.

The Move from Pencil to Pen

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Last week we looked at why pencils, rather than pens, are a good first tool for learning to handwrite.

Children can’t wait however for that magic day when the teacher moves them from pencil to pen. It really is a big moment and means more than just “I can write neatly”, for them it is an acknowledgement of their maturity (growing up) and a status symbol of intellect and ability in their eyes and those of their peers.

Moving from pencil to pen can have a dramatic effect on a child’s confidence and self-esteem.  I have seen how moving a child from pencil to pen can give them a new found confidence and self-belief in their own ability, because I showed my belief in them by making that gesture. They may not have had the perfect font style in pencil but moving to pen did improve their ability to form letters more freely and become more consistent in their formation.

It is difficult to put an age on when a child should move from pencil to pen because every child is different. Schools have different policies on when this should happen, with most tending to make the move at around the age of 8/9 years old. It should really depend on the child’s ability rather than their age, as well as the potential benefits the move may have to confidence and self-esteem.

It does not make sense to keep a child working with pencil until they have a perfect handwriting style because that may never happen. For many a neat, beautiful handwriting style may never be a reality.

Advantages of pens:

  • A good quality pen will give an even ink flow.
  • A more consistent hand pressure is required, helping to develop and maintain a fluid handwriting style (reducing hand strain).
  • Fibre tip and roller pens can give the same look and writing experience as a good quality fountain pen, but are far less messy (especially for left-handed people).
  • With the right pen everyone’s handwriting can look good, (I love my fountain pen for that reason).

Limitations:

  • Cheap biro pens require a lot of hand pressure and give an inconsistent ink flow (so not very different from pencils).
  • Cheap fountain pens can be scratchy and messy
  • Some schools will insist on using a particular type of pen which is not always good for all.

My tip would be to test a few pen types and weights to find out which ones your child finds the most comfortable and enjoyable to use. I realise this can be an issue if your child’s school insist on one type of pen. But if you can prove your child’s handwriting ability is great with a different style, I think it is worth talking to them about it.

Moving from pencil to pen is an important point in a child’s education, affecting their confidence and self-esteem, and like any transition stage it should be approached with thought and care.

Pencil Power!

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Why do we use pencils when we start to teach handwriting?

Modern classrooms use a range of technology, such as interactive white boards, so why are our children still using pencils when learning how to handwrite?

Pencils are a great first tool for learning to handwrite!

Why?

  • They come in different widths and lengths (to cater for the different gross and fine motor skills of the children).
  • Have different lead thickness and grades (soft to hard) of lead.
  • Provide varying degrees of resistance (depending on lead grade) which slows down the letter formation process enough for young children to have the control required to start to form their letters correctly. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.
  • As a child develops their handwriting skills to a more fluid handwriting style the pencil type can be easily changed.
  • Cheap and easily accessible.
  • A drawing medium which young children are already comfortable using.

Limitations:

  • Often a one size fits all approach to the pencil type, rather than tailoring to a child’s needs.
  • Difficulty in maintaining a good writing point, results in the child needing to use different levels of pressure, making handwriting hard work.
  • Over use of rubbing out mistakes (wastes time and develops a culture where making a mistake is seen as a failure). Making mistakes is how we learn; it is not failing!

 Pencils are practical in school:

  • With pencil, children find it more difficult to write on one another and their clothes.
  • You do not have a whole class of children clicking pens (Velcro is bad enough).
  • Pen lids are not constantly lost or being swallowed.
  • Pencils seem less of a problem when stuck in ears or up the nose.
  • They are cheap.
  • Pencils do not explode, leaving a mess all over the room and any child that happened to be in the room at the time.
  • Time not wasted by trying to suck the ink up out of the pen.

Handwriting is a complicated skill to learn and having the right tools for the job always helps. It is worth spending a little time with children using a range of pencil styles and lead grades to find ones that they find comfortable to use for handwriting. These will be different from those they use for drawing. As their handwriting skills develop so the type and grade of pencil they begin to favour will change.

The Right Handwriting Tool for the Job!

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As with learning any new skill the right tool at the right time can make a real difference to the whole learning experience as well as the outcome. Learning to handwrite is no different.

Young children due to their gross and fine motor skills ability require chunky shafted tools so that they can grip them effectively. This means they have a greater control over the tool and can achieve a more satisfactory outcome. If they are using a tool that is too thin, they will find gripping it difficult and have to keep changing their grip. They will have less control of the tool making the experience disappointing at best and discouraging at worst.

To help young children to store patterns and letter shapes formation into their motor memory it is important that the tools used provide a resistance rather than one that flows effortlessly over the writing/drawing surface. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.

Some of the best tools for young children to begin learning to draw patterns, shapes and correctly write letters:

  • Chalk on boards, walls or paths
  • Flip chart pens or large felt tips on course paper such as sugar paper
  • Using appropriately sized paint brushes on course paper or surfaces
  • Finger painting or finger drawing in sand, paint or cornflour mix
  • Finger tracing and then trying to draw the pattern, shape or letter straight afterwards.
  • Try chalking the shape or letter onto a blackboard and have the child use a damp sponge to wipe it off again (make sure the child starts in the correct place and moves correctly around the shape or letter to the correct finish point).
  • Appropriately sized crayons and pencils on course paper or card (non-shiny side of cereal boxes and corrugated card can be good fun and different to use).

As children begin a more formal approach to learning to form their letters correctly then appropriately sized and lead grade pencils are the best tool for the job. Pencil come in all widths, lengths and shapes. The key is to find the style of pencil which best suits the child and their stage of pencil grip development. Remember one size doesn’t fit all!

When a child has learnt to join their letters and has a good and consistent letter size and places all their letters on the writing line correctly in relation to each other, then it maybe they are ready to be moved to pen. It is important before moving a child to pen that they are writing with speed (appropriate for their age) and fluidity (comfortable writing all the letters of the alphabet lower and upper-case correctly). A child whose handwriting is slow and laboured may need additional support and time before being moved on to pen.

Does Your Child Have Weak Hands?

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There have been many articles over the last few years reporting the fact that children are struggling to hold pencils correctly for handwriting and drawing. The reasoning for this is more often than not based on our children’s use of technology and the effect this has on their hand strength and finger dexterity (Fine Motor Skills).

Poor fine motor skills and hand strength not only affects a child’s ability to learn and develop a good handwriting style it can make other grip patterns difficult to master as well. Power, precision, stability or a combination of all three are needed by children to compete everyday tasks such as dressing, picking up and carrying objects (especially small items), using a knife & fork, other tools and scissor skills.

To help improve their overall hand and finger strength check out our games page for ideas:  https://teachhandwriting.co.uk/games.html

Learning to hold a pencil in an appropriate grip is not the only grip style your child needs to develop, especially once they have started school. They will need to develop those which enable them to effectively use scissors as well as a knife and fork. If your child struggles with these activities it may be that they need to be taught how to form the grips correctly (as bad habits develop quickly and are difficult to change) or develop the appropriate hand and finger skills.

How to Hold Scissors

The tip of the thumb is in the top hole of the scissor handle while the tip of the middle finger is in the bottom hole. The index finger is on the bottom edge of the lower handle supporting and stabilising the scissors. The ring and little finger are curled into the palm (except if you are using large scissors as then they will fit in the bottom hole of the handle with the middle finger, to help create the cutting action).

The non-cutting hand should support the paper or item being cut; the thumb is on top of the paper and the fingers underneath, steadying and moving the paper.

How to Hold a Knife & Fork

The handle of the knife or fork lies diagonally across the top section of the palm. The ring and little finger wrap around the handle, the thumb sits on the side of the handle, while the index finger sits flat and straight on the back of the handle. The middle finger curls slightly around the handle so that when the wrist twists round, so that the knife blade edge or prongs of the fork are facing down towards the plate, the handle rests on the top middle finger joint area.

Poor hand position can cause a poor pen grip

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We often talk about the most appropriate grip for handwriting being the tripod grip; but this usually only refers to finger position. It is easy to forget the importance of the actual hand position in relation to the pen and paper for handwriting.

The ideal position is for the hand, wrist and elbow to be below the tip of the pencil and under the writing line for both left and right-handed writers.

Some children will hold the pencil in a tripod grip but develop a hooked hand position or move the elbow too far up the table, causing the forearm and wrist to be nearly horizontal with the table edge, because they feel they can see what they are writing more clearly.

A hooked grip puts unnecessary strain on the hand ligaments and forces the body into a poor sitting position, again putting extra strain on the body. This in turn makes handwriting a tiring and uncomfortable task, impacting on a child’s overall learning experience.

It takes time to correct a poor hand position but it is well worth the perseverance as it will enable a child to write freely and more comfortably.

When writing normally, encourage children to angle the paper appropriately as this will also help to correct a poor hand position. With the correct paper tilt they will always be able to see what they are writing. If the paper is tilted at the correct angle for them, they will find a hooked hand position, or having their forearm further up the table, more difficult and uncomfortable to maintain.

Some children will find writing on a sloped desk helpful. Not all are comfortable writing or drawing on a flat surface and may benefit from the paper being positioned on an angled or sloped board. If you are not sure, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out or you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, your child prefers. You may find that they only need the sloped board for a short while. It may also help to reduce the angle of the slope over time so that they gradually get used to moving from a sloped to horizontal writing plane.