Handwriting Skills

Pre-handwriting Patterns – Christmas Card Drawing Ideas

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Drawing pictures is a great way to help your child develop their pre-handwriting strokes and shape forming skills. It is amazing how using simple shapes can help you and your child create fantastic Christmas cards, pictures or gift tags.

We have put together some quick step by step Christmas drawing ideas for you to try using basic shapes such as circles, rectangles and triangles. 

We hope you find them useful: https://www.teachhandwriting.co.uk/assets/pdfs/Xmas%20card%20pre-handwriting%20drawing%20ideas.pdf

Tips for Supporting #Left-handed Writers

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Surprisingly there are few differences when teaching left and right-handed children to handwrite. A left-handed child needs a slightly different pencil grip, and needs to hold the pencil slightly higher up the shaft, as well as a different paper position and tilt. Some left-handed children do find handwriting challenging to start with because they naturally want to draw straight lines right to left rather than left to right.

Check out our Left-handed Writers Page for more information and tips on how to support them: https://teachhandwriting.co.uk/left-handed.html

Paper Position & Tilt are Important for Good Handwriting

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The paper position and tilt on the desk, for both right and left-handed writers, can make a big difference to a child’s handwriting experience and comfort and yet it is an element which is often neglected.

The correct paper position and tilt enables your child to handwrite comfortably while being able to see what they are writing. It also allows the non-writing hand to move the paper up the table so that the writing hand elbow can stay in the same position. The aim is to have the paper move up the table, rather than the writing hand moving down and eventually off the table.

With the non-writing hand moving the paper up the table the writing line stays in the same place which means eye movements are less, helping to make the writing experience less tiring and stressful.

If the paper is positioned and tilted correctly, with their writing hand under the writing line, they will also be able to see more easily what they have just written and where to place the next letter, word or section of text on the page. This is especially important for left-handed writers.

The most appropriate paper tilt angle is generally suggested as anywhere between 20 to 45 degrees anti-clockwise for right-handed writers and 30 to 45 degrees clockwise for left-handed writers.

For more tips and advice on developing a good paper position and tilt:

For Parents: https://teachhandwriting.co.uk/paper-position.html

For Teachers: https://teachhandwriting.co.uk/paper-position-for-comfortable-handwriting.html

A Good Sitting Position for #Handwriting

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Learning to sit correctly at a table for handwriting type activities is not just important for developing a physically comfortable and maintainable sitting position; it also allows the arms and hands to move freely and enables the paper to be tilted and positioned correctly, helping to improve the quality of the handwriting.

Learning how to sit correctly, so that it becomes second nature, needs training and takes time. Many children do not sit correctly at a desk, when they are asked to do so, because they have not been taught or do not understand what they are meant to do.

For tips and ideas on how to help a child develop a good sitting posture and position for handwriting check out our ‘Sitting’ section on the website: https://www.teachhandwriting.co.uk/handwriting-sitting-position-desk.html

Some children find sitting correctly at a desk difficult because they have not acquired all the gross motor skills needed to sit correctly for long periods of time. These children may require additional posture base and bilateral coordination games and activities to help them build the appropriate gross motor skills.

For more information on developing a child’s core strengths check out the Key Strengths section of our website: https://teachhandwriting.co.uk/handwriting-motor-skills.html

The Most Efficient Pencil Grip for #Handwriting – Tripod Grip

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The Dynamic Tripod Grip is still the most efficient grip for handwriting, for those with good fine motor skills, as it allows the fingers to move freely; so, the writer can form the letters more smoothly.

The following link will take you to the grip section of our ‘Parents’ section of the teachhandwriting.co.uk website where you will find information on the tripod grip for left and right-handed writer: https://www.teachhandwriting.co.uk/tripod-pencil-grip.html

The Drawbridge Flip Method is a simple way of helping a child pick up a pencil and hold it correctly in the tripod grip for handwriting. This can also be used as a whole class approach to support correct pencil grip development for handwriting.

Follow this link for an instructional video for both left and right-handed writers on how to use the Drawbridge Flip method https://www.teachhandwriting.co.uk/whole-class-tripod-pencil-grip-teaching-ks1.html

Drawbridge Flip instructions:

  • Place the pencil on the table in front of the writing hand, so it forms a straight line up the table with the writing tip of the pencil pointing towards you.
  • Then using your thumb and index finger pinch the pencil either side of the shaft about 2 cm up from the tip for a right-handed writer and about 3 cm up for a left-handed writer. Dots or sticker may be placed on the pencil to help thumb and finger placement.
  • Pick the pencil up off the table and place the fingernail of the middle finger on to the pencil just above the tip.
  • Keep the ring and little finger gently curled in.
  • Push down with the middle finger so that the pencil moves up and over like a drawbridge, keep pushing until the pencil is supported in the cup (web of skin that joins the thumb, hand and index finger) and the pencil is resting on the inner edge of middle finger.
  • When writing, the end of the pencil will be angled towards the shoulder for right-handed writers and the elbow for left-handed writers.

Teaching Letter Joins – A Systematic Approach

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We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

There are 4 main groups of letter joins; bottom joins, bottom to “c” shape joins, “e” joins (top and bottom join strokes) and top joins.

Moving from Cursive Single Letters to Joining

There are seven join strokes to be taught. Most children will find the bottom joins the easiest to achieve, as it only requires the extension of the exit stroke they already put on the letters. The bottom to “c” shape joins can be tricky at first but soon mastered. The joins that tend to cause the most confusion and difficulty are the “e” joiners and top exit joiners.

I would recommend teaching the bottom joins first, then the ‘e’ joins and finally the top exit letter joins.

Moving from Continuous Cursive Single Letters to Joining

There are three join strokes to be taught. The easiest is the bottom exit letters (the majority of the letters), all a child has to do is write the letters closer together without lifting their pencil off the paper. Only the top to “e” and top joiners need to be taught for continuous cursive, as the nature of the font style means that the lead-in and exit strokes needed to join the majority of letter combinations have already been taught.

I would recommend teaching the bottom joins first, then the top exit to ‘e’ join and finally the top exit letter joins.

The ultimate aim is for a child to develop a good handwriting style; which means;

•     They can produce and maintain a good speed

•     Have a fluid hand movement that is comfortable

•     Letters are of a consistent and appropriate size, positioned correctly

•     Handwriting is legible (so others can read it easily).

It is important to remember that for some children (mainly SEND pupils) this may mean that they will always print or use a single letter form of writing as learning to join is just not appropriate. But that does not mean they will not comply with the bullet points above.

Have you got your Free Join Animations & Worksheets?

For Teachers: https://teachhandwriting.co.uk/key-stage-2-handwriting-routes.html

For Parents: https://teachhandwriting.co.uk/parents.html

Stage 3 to #Handwriting Success – Joining

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Here at Teach Children we believe that a child is only ready to start learning to join their handwriting when:

  • They have learnt to form all 26 single lower-case letters correctly.
  • Letters are of a consistent and suitable size (not necessarily the perfect size, remember big is beautiful).
  • Letters are positioned appropriately on the writing line as well as in relation to one another.

The “Department of Education; The writing framework: July 2025; page 33; https://www.gov.uk/government/publications/the-writing-framework , for Year 2 states:

“Joined handwriting should not be taught until pupils can form these unjoined letters (print forms) correctly and consistently.”

This suggests that schools need to ensure children can write all their letters in a print from before moving to a single letter cursive or continuous cursive joining form. This view is further supported on page 34 where it states:

“There is no expectation that schools teach lead-ins for joined handwriting from the start and the national curriculum does not require this, but some schools continue to do this. If they do so, they should also consider teaching unjoined handwriting for specific tasks, such as labelling a diagram or data, writing an email address, or for letters in algebra.”

I don’t believe this is something new, just a reminder of the handwritten convention for labelling and mathematical notation.

Children generally begin to learn how to join letters between the ages of 6 to 7 years old, depending on the handwriting font style being taught. Those taught a continuous cursive font style for instance will tend to join much earlier due to the nature of this font.

Children do not need to be able to remember how to correctly form all their capital letters before they are taught how to join their letters. This is because capital letters never join to the lower-case letters in a word. However, for these children correct capital letter formation needs to be taught alongside the introduction of letter joins.

We would recommend teaching joins in join type groups, whether your child has learnt cursive or continuous cursive single letter fonts.

Teaching the join types in their groups helps a child to understand the directional pushes and pulls required to successfully join the different letter combinations.

Have you got your Free Join Animations & Worksheets?

For Teachers: https://teachhandwriting.co.uk/key-stage-2-handwriting-routes.html

For Parents: https://teachhandwriting.co.uk/parents.html

Art Activities to support the Understanding of Pressure – Half Term Fun

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Crayoning and printing activities are great ways for a child to experience and experiment with pressure and the amount needed to create different effects. These activities will also encourage and support a child in helping them to understand, and for you to model, the language associated with pressure and how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or to press harder. 

When supporting a child to understand what we want when we ask them to press harder, we need to model how our body reacts to make this happen. You may need to exaggerate the actions but as you do this you also need to talk about what your body is doing and how it feels. Then point out the effect that this has had on the crayoning for instance.

When we press hard, we tend to lean our body forward over the table slightly as this allows us to put more force down on to the paper through the crayon. We may feel our arm and hand tense and often the movements made are slower and in small strokes. If it is something we are not used to doing it can make our hand and fingers ache and it will feel like hard work. The crayon marks will be thick and dark.

When we want to be gentler with the crayon, so that the crayoning is lighter in texture and colour, we tend to sit back away from the table. This way the hand moves across the paper more easily and often the strokes are longer and quicker, which sometimes feels as if we have less control over the colouring. This is why young children tend to be a bit heavy handed initially with colouring because their fine motor control skills have not reached a point that enables them to have control.

There are many creative ideas to be found on the internet and in books published by companies such as Usborne.

This crayon technique can be used to create a vast range of pictures. Here are just a couple of ideas to get you started:

Spider Party Time:

The same technique can also be used to create great firework pictures:

It is also worth remembering that drawing also helps to develop a range of different line formations, also needed for developing a good handwriting style.

Have FUN!

Why it is Important to Teach Correct Letter Formation!

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It can often be assumed children will pick up how to write letters if they see them often enough (by osmosis). This is just not the case.  Correct letter formation has to be taught. Seeing a completed letter or word or watching it being typed up and appear on a screen does not show children how to form the letters.

For children to develop a good handwriting style it is important to learn how to form letters correctly to begin with as this makes the transition from single letter formation to joined letter handwriting much easier. This enables them to develop a speedy, fluid and legible handwriting style.

Department of Education; The writing framework: July 2025; page32 & 33; https://www.gov.uk/government/publications/the-writing-framework now recognizes and highlights the importance of teaching correct letter formation from the very beginning, so, starting in foundation stage:

“It should be:

  • • daily, until pupils can write legibly and easily
  • • taught in small steps, with lots of opportunity for practice
  • • cumulative: teachers should build on what pupils have learned previously 
  • • consolidated before teaching moves on so that pupils do not practise letters incorrectly
  • • revisited when further practice is needed
  • • demonstrated by the teacher
  • • additional to any handwriting that forms part of teaching phonics”

Letters are created through joining lines and curve shapes in a particular way. They have a designated start point and set directional pushes and pulls of the pencil to reach the designated finish point. This is why from the very start (2012) Teach Handwriting has always taught letter formation in groups/families rather than in alphabetical order (a Year 1 national curriculum statutory requirement in 2015). Certain groups use the same, or similar, shape and directional push and pulls of the pencil to form the letter, for instance the letter c has the same start point and anti-clockwise directional movement shape that is needed to create the letters a, d, g, o and, though a little more complicated, the letters s and e. Teaching letters in groups and families can also help to limit letter reversals such as b and d.

Another interesting and very important useful point included in the “Department of Education; The writing framework: July 2025; page 33; https://www.gov.uk/government/publications/the-writing-framework, for Year 1 is that:

“Wide-lined paper is essential at this stage. Mid-line guides can also help pupils to position letters. Pupils should be introduced to paper with narrower lines once they can write legibly and easily on wide-lined paper.”

Which I believe, acknowledging the fact that children can form their letters correctly if taught correctly but may not be ready for narrow line height paper due to their developmental stage of their fine motor skill.

Also, it explains how in Year 2:

“To join letters easily and legibly, pupils first need to form the shape of each letter correctly, starting and finishing each one at the correct point and ensuring that its size is properly related to other letters in the same family.”

Due to how handwriting has or hasn’t been taught over the generations we all have our own way of handwriting. When supporting and teaching young children we need to develop a consistent approach so that they do not get confused or frustrated by adults giving them conflicting information.

For parents this means finding out from your child’s school which letter font they are teaching so that you can support them more effectively at home. This may mean that you have to learn a new way of writing some letters.

This also applies to teachers and teaching assistants; “Department of Education; The writing framework: July 2025; page 32; https://www.gov.uk/government/publications/the-writing-framework states:

“Teachers’ own handwriting should provide a model of high standards, across the curriculum and not just in handwriting lessons, but particularly when pupils are learning to write.”

As the adults in the situation, we have to accept that it is for us to make the changes. Just because something is different to the way we were taught, or do it, doesn’t mean it is wrong, it is just different! 

Our free letter animations are not just to support children with their learning but also to provide parents and teachers (all adults really) with the knowledge and support to help children develop a consistent handwriting style.

Parent animation link: https://teachhandwriting.co.uk/parents.html

Teacher animation link – click through on the Key Stage you are teaching: https://teachhandwriting.co.uk/teach-handwriting-teachers.html

Stage 2 to #Handwriting Success – Single Letter Formation (non-pencil activities)

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Over the last couple of weeks, we explained that pre-handwriting patterns are the first stage of learning to handwrite. Once a child has mastered these, they are ready to start learning how to form letters.

But where do you start?

Our view is to focus on lower-case letters first and only the capital letters for the first letter in a child’s, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Why?

  • One reason is that about 95% of what children write, and are exposed to, is in a lower-case form and only 5% in capital.
  • Lower-case letters are far less complicated, requiring fewer pencil lifts to complete the letters.
  • As both lower-case and capital letters require a child to form curved lines, a skill which most children have to practice, writing lower-case letters is no more difficult than writing capitals.
  • In a young child’s writing, all the letters are initially the same size, whether they are capitals or lower case; it is part of the normal developmental path of handwriting. So, the view that teaching capitals letters is easier because they are bigger is not true.
  • Young children who have learnt mostly capital letters first find it difficult to stop, as it is so ingrained into the memory, often using them half way through words and sentences. Even when they are older this inappropriate use of capitals creeps back into their work especially if they are tired or concentrating hard on composing their work.

A child’s first major achievement, in their eyes, is to write their name. So, although concentrating on lower-case letters, teach them how to form the capital letter for the first letters of their name to get them excited about handwriting.

As they master the lower-case letters introduce the remainder of the capital letters. It is important that both are taught so that a child can develop a speedy, fluid and legible handwriting style.

As with the pre-handwriting patterns, part one of learning correct letter formation is through non-pencil activities. This is because it supports the storage of the larger gross motor memory movements; the stage of development that EYFS are working at. They can then tap into those gross motor memory movements as their fine motor skills are developing; taking the stored large movement to a smaller and smaller scale.  

Once again ‘The writing framework’ acknowledges that:

“On joining reception, some children may need teaching and practice in using and manoeuvring their thumb, wrist and shoulder muscles in the way they need for handwriting. Initially, handwriting lessons could include learning the movements needed to form letters, practising these movements at a range of sizes…”

Department of Education; The writing framework: July 2025; page 24; https://www.gov.uk/government/publications/the-writing-framework

It is through play that you can really engage a child in learning how to correctly form their letters, and has always been an important foundation stone in our Foundation Stage Teach Handwriting Scheme (https://www.teachhandwriting.co.uk/handwriting-teaching-manuals.html#hs-fs ) and strongly promoted on our website https://www.teachhandwriting.co.uk ) and blog (https://teachhandwriting.blog/ ) since 2012.  

Our non-pencil – ‘Big to Small’ activities are an easy fun way to start developing these skills early on through play: https://teachhandwriting.co.uk/big-to-small.html