Pencil Grip Development

The Right Handwriting Tool for the Job!

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As with learning any new skill the right tool at the right time can make a real difference to the whole learning experience as well as the outcome. Learning to handwrite is no different.

Young children due to their gross and fine motor skills ability require chunky shafted tools so that they can grip them effectively. This means they have a greater control over the tool and can achieve a more satisfactory outcome. If they are using a tool that is too thin, they will find gripping it difficult and have to keep changing their grip. They will have less control of the tool making the experience disappointing at best and discouraging at worst.

To help young children to store patterns and letter shapes formation into their motor memory it is important that the tools used provide a resistance rather than one that flows effortlessly over the writing/drawing surface. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.

Some of the best tools for young children to begin learning to draw patterns, shapes and correctly write letters:

  • Chalk on boards, walls or paths
  • Flip chart pens or large felt tips on course paper such as sugar paper
  • Using appropriately sized paint brushes on course paper or surfaces
  • Finger painting or finger drawing in sand, paint or cornflour mix
  • Finger tracing and then trying to draw the pattern, shape or letter straight afterwards.
  • Try chalking the shape or letter onto a blackboard and have the child use a damp sponge to wipe it off again (make sure the child starts in the correct place and moves correctly around the shape or letter to the correct finish point).
  • Appropriately sized crayons and pencils on course paper or card (non-shiny side of cereal boxes and corrugated card can be good fun and different to use).

As children begin a more formal approach to learning to form their letters correctly then appropriately sized and lead grade pencils are the best tool for the job. Pencil come in all widths, lengths and shapes. The key is to find the style of pencil which best suits the child and their stage of pencil grip development. Remember one size doesn’t fit all!

When a child has learnt to join their letters and has a good and consistent letter size and places all their letters on the writing line correctly in relation to each other, then it maybe they are ready to be moved to pen. It is important before moving a child to pen that they are writing with speed (appropriate for their age) and fluidity (comfortable writing all the letters of the alphabet lower and upper-case correctly). A child whose handwriting is slow and laboured may need additional support and time before being moved on to pen.

Alternative Efficient Pencil Grips for Handwriting

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Here at Teach Children Ltd we feel this a good definition of an efficient pencil grip for handwriting:

“A pencil hold that provides speed, legibility is comfortable and will not cause harm to the joints of the hand over time. If a hold satisfies these criteria there is no need to change it”

(Benrow 2002, cited: Foundation of Paediatric Practice for the Occupational Therapy Assistant, 2005)

The above publication, and those listed at the end of the articles, explain that there are three efficient pencil grips for handwriting:

1. The Dynamic Tripod Grip (https://teachhandwriting.co.uk/teaching-tripod-pencil-grip.html), is still the most appropriate grip for handwriting (‘Drawbridge Flip’ method), for those with good fine motor skills, as it allows the fingers to move freely; so, the writer can form the letters more smoothly.

2. The Quadrupod Grip (stage 4 of pencil grip development – https://teachhandwriting.co.uk/pencil-grip-development-foundation-stage.html), this grip is a little more restrictive because the fingers cannot move as freely as they would if using the Tripod grip.

However, if the child is complaining that their hand or fingers hurt or ache when they use the Quadrupod Grip, or that it is hindering their handwriting fluidity and speed, then we do need to support them in changing their grip. For some it may be more appropriate to introduce them to the Adaptive Tripod Grip rather than trying to force them to use the Dynamic Tripod Grip.

3. The Adaptive Tripod Grip (https://teachhandwriting.co.uk/adaptive-tripod-grip.html) , developed by the Belgian Neurologist Callewaert in 1963 (cited, Ann-Sofie Selin 2003) is a functional though not conventional grip for handwriting. This grip is often more appropriate to use with children who have low muscle tone or hyper mobility of the finger joints. It can also benefit older children who continue to hold a pencil too tightly, or who hold the pencil lightly using just their fingertips (often writing using whole arm movements), as well as those children who hold a pencil with their thumb wrapped around and across the pencil and index finger.

Changing to the Adaptive Tripod grip is not a quick fix for children who have poor hand and finger strength. These strengths still need to be developed to make handwriting more comfortable.

Bibliography

Ann-Sofie Selin, 2003: Pencil Grip A Descriptive Model and Four Empirical Studies; Abo Akademi University Press

A Wagenteld, J Kaldenberg (co-editors), 2005: Foundation of Paediatric Practice for the Occupational Therapy Assistant; Pub: Slack Incorporated, ISBN-10:1-55642-629-1

Web-sites:

https://www.ot-mom-learning-activities.com/correct-pencil-grasp.html

https://www.otplan.com/articles/pencil-grasp-patterns.aspx

What is classed as a poor pencil grip?

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Once a child has gone through the five pencil grip stages, so after the age of about 6, a poor pencil grip is any that causes:

  • a very small or closed web space (as seen in the two photos below),
  • restricting the movement of the fingers and wrist,
  • makes handwriting hard work.

This is sometimes referred to as a “death grip” pencil grip.

The most effective grip recommended for children by Occupational Therapists and Handwriting Specialists worldwide is the dynamic tripod grip, which gives an open web space. This allows the fingers to move freely so that a fluid handwriting style can be achieved.

For an explanation of what the dynamic tripod grip looks like for left and right-handed writers:  https://teachhandwriting.co.uk/tripod-pencil-grip.html

For videos on how to use our quick drawbridge flip, self-correcting method to help children pick up a pencil so they have holding it correctly in the tripod grip for both left and right-handed writers:  https://teachhandwriting.co.uk/teaching-tripod-pencil-grip.html

Handwriting Begins with Mark Making & Simple Drawings

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Young children’s first experience on the handwriting journey is through mark-making and simple drawings, whether it is with finger-paints, writing in sand or with pencils and crayons.

From about the age of 2, children start to move from a simple grasping (primitive) grip to one that secures the writing tool between the fingers and the thumb. In the early stages of mark-making and drawing young children will try different grips and holds, which is part of their normal development for handwriting and drawing.

As young children’s body (gross motor skills), hand strength and dexterity (fine motor skills) are developing they need a range of pencil, crayon and paint brush thicknesses. Young children need the thicker drawing tools as they can grip them more easily, helping them to mark-make. If the pencil is too thin, they find it difficult to grasp and have little control over it, making the drawing experience unsuccessful, which can lead to frustration and discourage them from trying again.

Due to the stage of their physical development young children use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines.

During the early stages a vertical drawing and painting surface is important as it allows the child the freedom of movement to fully explore their mark-making potential. It also helps young children to develop the wrist strength and flexibility which they will need later to hold a pencil correctly for handwriting.

Using plain paper and surfaces is considered best for young children as they find it less restrictive.

It has been widely acknowledged that a child who is forced to hold a writing tool using the dynamic tripod grip, before they are developmentally ready, can be turned off engaging in the drawing/writing process as well as developing a poor pencil grip later on. Remember some children do not develop the ability to use the dynamic tripod grip until the age of 5/6 years old.

As a child’s gross and fine motor skills develop so does their pencil grip and ability to draw and write at a small scale moving more from the elbow and wrist and progressing through the grip stages.

For more information on pencil grip development use this link: https://teachhandwriting.co.uk/grip-development.html

The Five Stages of Pencil Grip Development

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There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This give an open wide web space which means the movement comes from the fingers.

For more information on the five stages of pencil grip development click on the following link: https://teachhandwriting.co.uk/grip-development.html

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for gluing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see:

Handwriting Begins with Mark Making & Simple Drawings

lucyteachchildrenLeave a comment

Young children’s first experience on the handwriting journey is through mark-making and simple drawings, whether it is with finger-paints, writing in sand or with pencils and crayons.

From about the age of 2, children start to move from a simple grasping (primitive) grip to one that secures the writing tool between the fingers and the thumb. In the early stages of mark-making and drawing young children will try different grips and holds, which is part of their normal development for handwriting and drawing.

As young children’s body (gross motor skills), hand strength and dexterity (fine motor skills) are developing they need a range of pencil, crayon and paint brush thicknesses. Young children need the thicker drawing tools as they can grip them more easily, helping them to mark-make. If the pencil is too thin, they find it difficult to grasp and have little control over it, making the drawing experience unsuccessful, which can lead to frustration and discourage them from trying again.

Due to the stage of their physical development young children use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines.

During the early stages a vertical drawing and painting surface is important as it allows the child the freedom of movement to fully explore their mark-making potential. It also helps young children to develop the wrist strength and flexibility which they will need later to hold a pencil correctly for handwriting.

Using plain paper and surfaces is considered best for young children as they find it less restrictive. It has been widely acknowledged that a child who is forced to hold a writing tool using the dynamic tripod grip, before they are developmentally ready, can be turned off engaging in the drawing/writing process as well as developing a poor pencil grip later on. Remember some children do not develop the ability to use the dynamic tripod grip until the age of 5/6 years old.

As a child’s gross and fine motor skills develop so does their pencil grip and ability to draw and write at a small scale moving more from the elbow and wrist and progressing through the grip stages.

For more information on pencil grip development use this link: https://teachhandwriting.co.uk/grip-development.html

The Five Stages of Pencil Grip Development

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The Five Stages of Pencil Grip Development

There are 5 developmental stages, that a child needs to go through, before they can successfully use a mature tripod grip. They need to work through each stage and as their hand, shoulder and arm strength and mobility increases so does their ability to move to the next developmental stage of the grip. Children develop through these grip stages over time with new experiences using different tools and drawing/writing mediums especially in the early years (0 to 4 years old).

You will find that young children will move between, or have slightly different versions of, the grips depending on the task or the effect they are trying to achieve. This is exactly what we want to happen.

Stage 1. Palmer-supinate grasp

Holds the crayon/pencil in fist (whole hand) like a dagger. They use whole arm movements from the shoulder to mark-make. Due to this whole arm movement they prefer to work on a vertical surface.

Stage 2. Palmer or digital-pronate grasp

Holds a crayon/pencil with the palm of the hand facing down towards the paper. The crayon/pencil is held by all finger and the thumb. The movement comes from the shoulder and elbow. Again, due to the way the arm moves a vertical surface is preferred.

Stage 3. Four finger and thumb grip

Holds the crayon/pencil between the thumb and four fingers with the crayon/pencil nearly vertical up right position. Movement comes from the elbow and wrist.

Stage 4. Static Quadruped or tripod grip

Holds the pencil in very nearly in the correct position however the web space is narrower than it would be if held in a mature tripod grip. This means that the movement is coming from the wrist and large finger movements.

Stage 5. Mature/Dynamic tripod grip

This is traditionally considered the most appropriate pencil grip for handwriting. Holding the pencil between the thumb and index finger with pencil supported on the middle finger. The ring and little fingers are gently curled inwards. This give an open wide web space which means the movement comes from the fingers. For more information on the five stages of pencil grip development click on the following link: https://teachhandwriting.co.uk/pencil-grip-development-foundation-stage.html

Case Studies

For example, young Billy here is using a variation of a stage 1 – 3 throughout these colouring activities:

In this example it might look as if Billy has gone backwards in his grip development but he has not, he has learnt that the grip he is using offers him greater control:

Young William here is using different variations of stages 2 and 3 for gluing and painting activities:

Esme and Issy have both moved to stage 4 although for some activities such as drawing/painting they may use a different grip, but that is what we would expect to see.

The Right Handwriting Tool for the Job!

lucyteachchildrenLeave a comment

As with learning any new skill the right tool at the right time can make a real difference to the whole learning experience as well as the outcome. Learning to handwrite is no different.

Young children, due to their gross and fine motor skills ability, require chunky shafted tools so that they can grip them effectively. This means they have a greater control over the tool and can achieve a more satisfactory outcome. If they are using a tool that is too thin, they will find gripping it difficult and have to keep changing their grip. They will have less control of the tool making the experience disappointing at best and off-putting at worst.

As children begin a more formal approach to learning to form their letters correctly then appropriately sized and lead grade pencils are the best tool for the job. Pencils come in all widths, lengths and shapes. The key is to find the style of pencil which best suits the child and their stage of pencil grip development. Remember one size doesn’t fit all!

When a child has learnt to join their letters and has a good and consistent letter size, places all their letters on the writing line correctly and in relation to each other, then it maybe they are ready to be moved to pen. It is important before moving a child to pen that they are writing with speed (appropriate for their age) and fluidity (comfortable writing all the letters of the alphabet lower and upper case correctly). A child whose handwriting is slow and laboured may need additional support and time before being moved on to pen.

Handwriting Begins with Mark Making & Simple Drawings

lucyteachchildrenLeave a comment

Young children’s first experience on the handwriting journey is through mark-making and simple drawings, whether it is with finger-paints, writing in sand or with pencils and crayons.

From about the age of 2, children start to move from a simple grasping (primitive) grip to one that secures the writing tool between the fingers and the thumb. In the early stages of mark-making and drawing young children will try different grips and holds, which is part of their normal development for handwriting and drawing.

As young children’s body (gross motor skills), hand strength and dexterity (fine motor skills) are developing they need a range of pencil, crayon and paint brush thicknesses. Young children need the thicker drawing tools as they can grip them more easily, helping them to mark-make. If the pencil is too thin, they find it difficult to grasp and have little control over it, making the drawing experience unsuccessful, which can lead to frustration and discourage them from trying again.

Due to the stage of their physical development young children use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines.

During the early stages a vertical drawing and painting surface is important as it allows the child the freedom of movement to fully explore their mark-making potential. It also helps young children to develop the wrist strength and flexibility which they will need later to hold a pencil correctly for handwriting.

Using plain paper and surfaces is considered best for young children as they find it less restrictive.

It has been widely acknowledged that a child who is forced to hold a writing tool using the dynamic tripod grip, before they are developmentally ready, can be turned off engaging in the drawing/writing process as well as developing a poor pencil grip later on. Remember some children do not develop the ability to use the dynamic tripod grip until the age of 5/6 years old.

As a child’s gross and fine motor skills develop so does their pencil grip and ability to draw and write at a small scale moving more from the elbow and wrist and progressing through the grip stages.

For more information on pencil grip development use this link: https://teachhandwriting.co.uk/grip-development.html

Pencil Power!

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Why do we use pencils when we start to teach handwriting?

Modern classrooms use a range of technology, such as interactive white boards, so why are our children still using pencils when learning how to handwrite?

Pencils are a great first tool for learning to handwrite!

Why?

  • They come in different widths and lengths (to cater for the different gross and fine motor skills of the children).
  • Have different lead thickness and grades (soft to hard) of lead.
  • Provide varying degrees of resistance (depending on lead grade) which slows down the letter formation process enough for young children to have the control required to start to form their letters correctly. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.
  • As a child develops their handwriting skills to a more fluid handwriting style the pencil type can be easily changed.
  • Cheap and easily accessible.
  • A drawing medium which young children are already comfortable using.

Limitations:

  • Often a one size fits all approach to the pencil type, rather than tailoring to a child’s needs.
  • Difficulty in maintaining a good writing point, results in the child needing to use different levels of pressure, making handwriting hard work.
  • Over use of rubbing out mistakes (wastes time and develops a culture where making a mistake is seen as a failure). Making mistakes is how we learn; it is not failing!

 Pencils are practical in school:

  • With pencil, children find it more difficult to write on one another and their clothes.
  • You do not have a whole class of children clicking pens (Velcro is bad enough).
  • Pen lids are not constantly lost or being swallowed.
  • Pencils seem less of a problem when stuck in ears or up the nose.
  • They are cheap.
  • Pencils do not explode, leaving a mess all over the room and any child that happened to be in the room at the time.
  • Time not wasted by trying to suck the ink up out of the pen.

Handwriting is a complicated skill to learn and having the right tools for the job always helps. It is worth spending a little time with children using a range of pencil styles and lead grades to find ones that they find comfortable to use for handwriting. These will be different from those they use for drawing. As their handwriting skills develop so the type and grade of pencil they begin to favour will change.