Development

Poor hand position can cause a poor pen grip

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We often talk about the most appropriate grip for handwriting being the tripod grip; but this usually only refers to finger position. It is easy to forget the importance of the actual hand position in relation to the pen and paper for handwriting.

The ideal position is for the hand, wrist and elbow to be below the tip of the pencil and under the writing line for both left and right-handed writers.

Some children will hold the pencil in a tripod grip but develop a hooked hand position or move the elbow too far up the table, causing the forearm and wrist to be nearly horizontal with the table edge, because they feel they can see what they are writing more clearly.

A hooked grip puts unnecessary strain on the hand ligaments and forces the body into a poor sitting position, again putting extra strain on the body. This in turn makes handwriting a tiring and uncomfortable task, impacting on a child’s overall learning experience.

It takes time to correct a poor hand position but it is well worth the perseverance as it will enable a child to write freely and more comfortably.

When writing normally, encourage children to angle the paper appropriately as this will also help to correct a poor hand position. With the correct paper tilt they will always be able to see what they are writing. If the paper is tilted at the correct angle for them, they will find a hooked hand position, or having their forearm further up the table, more difficult and uncomfortable to maintain.

Some children will find writing on a sloped desk helpful. Not all are comfortable writing or drawing on a flat surface and may benefit from the paper being positioned on an angled or sloped board. If you are not sure, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out or you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, your child prefers. You may find that they only need the sloped board for a short while. It may also help to reduce the angle of the slope over time so that they gradually get used to moving from a sloped to horizontal writing plane.

Handwriting is a Physical Activity

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Handwriting with fluidity, speed, accuracy and over longer periods of time requires a complex range of whole body and hand strengths and skills. So it is not surprising that many children find handwriting challenging.

For a good handwriting style children need to develop their:

  • Gross Motor Skills – so they can sit correctly for periods of time.
  • Fine Motor Skills – so that they can hold and control the pencil and move the paper up the table as they write.
  • Motor Memory Skills – so they can recall how to form the letters.
  • Visual Memory Skills – so they recall what a particular letter looks like.
  • Spatial Awareness Skills– so they can place the letters correctly on the paper and in relation to one another.
  • Eye Tracking Skills– scanning from left to right so that the letters are formed and placed correctly.

If a child is struggling with handwriting it is important to take a closer look at their physical abilities. If they do not have all the appropriate key physical strengths to support their handwriting development getting them to do more of the paper and pencil activities is not the answer.

Our assessments are simple to complete and do not need any specialist equipment. The important elements are; your knowledge of the child and your observations of them at play and while they are engaged in normal day to day task.

For information on how to assess your child at home follow this link: https://teachhandwriting.co.uk/parent-assessment.html   

For information on how to assess at child at school follow this link: https://teachhandwriting.co.uk/teacher-assessment.html

A better understanding of a child’s key skills abilities enables you to focus more effectively, through targeted physical games and activities, to help them build and develop their skills.

You will find ‘Games to build gross and fine motor skills’ here: https://teachhandwriting.co.uk/games.html

Handwriting is such an important skill as it engages the neurological pathways and working memory in a way that pressing a keyboard just doesn’t; so once mastered it helps to open up the doorways to other literacy skills such as phonics, reading, spelling and composition.

The Best Type of Paper for Teaching Handwriting

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Just as the writing tool used by your child changes as they develop, so does the paper they write on.

Informal Pre-handwriting Pattern and Initial Letter Development

If your child is just starting out on the handwriting adventure then any type of plain paper (no ruled lines) is considered the best option, as many children find it less restrictive.

Young children, due to the stage of their physical development, use large movements to draw (from the shoulder rather than the wrist) which often creates larger shapes and lines; you don’t want to restrict this movement as it can cause handwriting difficulties later. As their gross and fine motor skills develop so does their pencil grip and ability to draw and write at a smaller scale, moving more from the shoulder to elbow and wrist.

Formal Pre-handwriting Pattern and Letter Development

When your child is ready to refine their pre-handwriting pattern skills, or move on to forming letters, it is a good idea to use plain paper. The aim at this stage is to learn how to form the letters correctly, not size or neatness as that comes later (Remember, Big is Beautiful).

Before moving to lined paper, to help your child begin to appreciate letter proportions and positioning, paper with picture clues can be used.

On our website the free writing paper and animations reinforce the idea of letter proportions and positioning by splitting the backgrounds into three colour zones to represent the sky, grass and earth. There are a number of reasons why this can be beneficial:

  • It can create a sub-conscious memory in your child’s mind of where particular letters sit in relation to others without the constraints of lines or obvious boundaries, especially as the picture can be any size. Children remember where to place the sun, grass or worms in their drawings; so why not letters?
  • It can be easier to talk through the formation of how a shape or letter is formed with pictorial and colour clues to guide and inform the direction of the movements required.     
  • As your child’s fine motor skills develop so the size of the picture/colour clues can be reduced to match their progress.

As your child’s fine motor skills develop it enables them to form smaller more refined versions of the letters and this is when it is more appropriate to use lined paper.

Tips for Supporting #Left-handed Writers

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Surprisingly there are few differences when teaching left and right-handed children to handwrite. A left-handed child needs a slightly different pencil grip, and needs to hold the pencil slightly higher up the shaft, as well as a different paper position and tilt. Some left-handed children do find handwriting challenging to start with because they naturally want to draw straight lines right to left rather than left to right.

Check out our Left-handed Writers Page for more information and tips on how to support them: https://teachhandwriting.co.uk/left-handed.html

Why it is Important to Teach Correct Letter Formation!

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It can often be assumed children will pick up how to write letters if they see them often enough (by osmosis). This is just not the case.  Correct letter formation has to be taught. Seeing a completed letter or word or watching it being typed up and appear on a screen does not show children how to form the letters.

For children to develop a good handwriting style it is important to learn how to form letters correctly to begin with as this makes the transition from single letter formation to joined letter handwriting much easier. This enables them to develop a speedy, fluid and legible handwriting style.

Letters are created through joining lines and curve shapes in a particular way. They have a designated start point and set directional pushes and pulls of the pencil to reach the designated finish point. This is why at Teach Handwriting we teach letter formation in groups/families rather than in alphabetical order. Certain groups use the same, or similar, shape and directional push and pulls of the pencil to form the letter, for instance the letter c has the same start point and anti-clockwise directional movement shape that is needed to create the letters a, d, g, o and, though a little more complicated, the letters s and e. Teaching letters in groups and families can also help to limit letter reversals such as b and d.

Due to how handwriting has or hasn’t been taught over the generations we all have our own way of handwriting. When supporting and teaching young children we need to develop a consistent approach so that they do not get confused or frustrated by adults giving them conflicting information.

For parents this means finding out from your child’s school which letter font they are teaching so that you can support them more effectively at home. This may mean that you have to learn a new way of writing some letters. This also applies to teachers and teaching assistants. As the adults in the situation, we have to accept that it is for us to make the changes. Just because something is different from the way we were taught, or do it, doesn’t mean it is wrong, it is just different! 

Our free letter animations are not just to support children with their learning but also to provide parents and teachers (all adults really) with the knowledge and support to help children develop a consistent handwriting style.

Parent animation link: https://teachhandwriting.co.uk/parents.html

Teacher animation link – click through on the Key Stage you are teaching: https://teachhandwriting.co.uk/teach-handwriting-teachers.html

Art Activities to support the Understanding of Pressure

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Crayoning and printing activities are great ways for a child to experience and experiment with pressure and the amount needed to create different effects. These activities will also encourage and support a child in helping them to understand, and for you to model, the language associated with pressure and how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or to press harder. 

When supporting a child to understand what we want when we ask them to press harder, we need to model how our body reacts to make this happen. You may need to exaggerate the actions but as you do this you also need to talk about what your body is doing and how it feels. Then point out the effect that this has had on the crayoning for instance.

When we press hard, we tend to lean our body forward over the table slightly as this allows us to put more force down on to the paper through the crayon. We may feel our arm and hand tense and often the movements made are slower and in small strokes. If it is something we are not used to doing it can make our hand and fingers ache and it will feel like hard work. The crayon marks will be thick and dark.

When we want to be gentler with the crayon, so that the crayoning is lighter in texture and colour, we tend to sit back away from the table. This way the hand moves across the paper more easily and often the strokes are longer and quicker, which sometimes feels as if we have less control over the colouring. This is why young children tend to be a bit heavy handed initially with colouring because their fine motor control skills have not reached a point that enables them to have control.

There are many creative ideas to be found on the internet and in books published by companies such as Usborne.

This crayon technique can be used to create a vast range of pictures. Here are just a couple of ideas to get you started:

The same technique can also be used to create great firework pictures:

It is also worth remembering that drawing also helps to develop a range of different line formations, also needed for developing a good handwriting style.

Have FUN!

Leaf Investigation, Collecting and Printing

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The weather this Autumn has been unseasonably warm, making it easier to go out and explore our local green and wild spaces.

It is amazing how much quality time you can spend with children just looking, talking about and collecting different leaves. The amount of language shared and new vocabulary introduced is invaluable.

It is suitable for all age groups and you don’t need a vast knowledge of plants and trees to make this fun; just remember not to take whole plants or leaves from endangered or dangerous plants and watch out for thorny, spikey and prickly leaves (if you are not sure leave the plant alone). Make sure when collecting leaves, you do not trespass on to other people’s property, or pick from their gardens!

The aim is to look at and talk about the different shapes, sizes, textures, colours and parts of the leaves. There are so many new words you can share. It is important to make sure the words used, especially if new, are age appropriate and help develop the child’s understanding:

  • Shape:  round, oval, heart shapes, oblong, fanned.
  • Size: small, big, tiny, large, bigger, biggest, smallest, smaller, huge.
  • Texture: rough, smooth, bumpy, fluffy, silky, soft, furry, shiny, glossy, feathery, spikey, prickly, thorny, scratchy, hard, stiff, ridged, flexible, bendy, veiny, ragged.
  • Colour: green, brown, tan, orange, yellow, silver, gold, bronze, purple, red.
  • Leaf: stalk (petiole), leaf base, mid-rib, veins, venules, leaf apex, margin (edge), leaf blade (lamina)

Leaf printing is fun and easy!

If you have been able to collect some leaves, they can be used to create lovely leaf print pictures and patterns.

The printing activity is a great way of helping children to understand, and for you to model, the language associated with pressure and to experience how the pressure used feels. By linking the words used to the feelings and the outcome of using the pressure they can start to understand what is needed when asked to press gently or harder.  

Materials:

Paper, child safe poster paints, brushes or sponges, leaves collected from walk

Method.

  • Protect the surface being used for painting and aprons for the children
  • Put paint in to trays/tubs
  • It can help to tape the corners of the paper down before you start printing to stop the paper lifting when you lift the painted leaf off.
  • Paint one side of the leaf. This is when we can talk about how much paint (not too thick) and how gentle we need to be. If the leaf tears, due to too much pressure being used, we can support by explaining and helping the child to try again; with maybe a different painting tool or using their finger to give a great sense of feeling.
  • Then pick up the leaf by the stalk, or at one end, and place it paint side down on the paper
  • Encourage the child to gently tap the leaf down on the paper. Help them, if necessary, by demonstrating.
  • Then using the stalk, or from one end, gently peal the leaf off the paper.

The important thing to remember is to chat about what you are doing and have fun!

Stage 2 to #Handwriting Success – Single Letter Formation

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Last week we explained that pre-handwriting patterns are the first stage of learning to handwrite. Once a child has mastered theses, they are ready to start learning how to form letters.

But where do you start?

Our view is to focus on lower-case letters first and only the capital letters for the first letter in a child’s, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Why?

  • One reason is that about 95% of what children write, and are exposed to, is in a lower-case form and only 5% in capital.
  • Lower-case letters are far less complicated, requiring fewer pencil lifts to complete the letters.
  • As both lower-case and capital letters require a child to form curved lines, a skill which most children have to practise, writing lower-case letters is no more difficult than writing capitals.
  • In a young child’s writing all the letters are initially the same size, whether they are capitals or lower case; it is part of the normal developmental path of handwriting. So, the view that teaching capitals letters is easier because they are bigger is not true.
  • Young children who have learnt mostly capital letters first find it difficult to stop, as it is so ingrained into the memory, often using them half way through words and sentences. Even when they are older this inappropriate use of capitals creeps back into their work especially if they are tired or concentrating hard on composing their work.

Have you got your Free Letter Formation Animations & Worksheets?                             

For Teachers: https://teachhandwriting.co.uk/key-stage-1-handwriting-routes.html

For Parents: https://teachhandwriting.co.uk/parents.html

A child’s first major achievement, in their eyes, is to write their name. So, although concentrating on lower-case letters, teach them how to form the capital letter for the first letters of their name to get them excited about handwriting.

As they master the lower-case letters introduce the remainder of the capital letters. It is important that both are taught so that a child can develop a speedy, fluid and legible handwriting style.

Stage 1 to #Handwriting Success – Pre-handwriting Patterns

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Pre-handwriting patterns are the first stage in supporting a child to handwriting success. They help the child to learn the shapes and directional pushes and pulls required to form letters. All letters are a combination of these shapes and lines.

Young children can start to learn these patterns through their play, long before they are ready to pick up a pencil, moving toys back and forth across the floor or whirling them around in the air. To a child it is just play and fun, but you are doing something far more powerful and constructive by helping them to develop the motor memory patterns and directional movement skills they will need for handwriting.

Later, as their coordination and gross motor skills develop, they make more controlled and varied movement patterns in their play. Changing directions, speed and size are all prerequisite skills needed for learning pre-handwriting patterns.

These handwriting patterns do not need to be taught as worksheet activities (though they do help to perfect shape and pattern formation), drawing pictures and patterns in sand, paint and with other writing tools are all fun ways to practise.

Teaching the handwriting patterns in groups helps to further develop the specific movements (pushes and pulls) required to form them and help commit them to the motor memory. A child can then recall these motor memories to support them as they begin to form letters.

Pre-handwriting patterns that encourage a child to move their pencil from left to right are very important for left-handed writers. They need to be taught this so that they can make the cross motion in the H, T, J, G and I from left to right, as their natural instinct is to go from right to left. If this is not corrected when writing E and F the cross lines will not be “anchored” to the letter.

Once the handwriting patterns have been mastered a child will have the confidence and skills base necessary to start forming letters, numbers and symbols.

Have you got your Free Pre-handwriting Pattern Animations & Worksheets?

For Teachers: https://teachhandwriting.co.uk/pre-handwriting-patterns.html

For Parents: https://teachhandwriting.co.uk/patterns.html

The Three Stages to Learning Handwriting

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There are three distinct stages for children to progress through to develop a good handwriting style:

Stage 1 – Pre-handwriting Patterns

Pre-handwriting patterns support a child towards handwriting success. They help the them to learn the shapes and directional pushes and pulls required to form letters. All letters are a combination of these shapes and lines.

Stage 2 – Single Letter Formation

For children to develop a good handwriting style it is important to learn how to form the letters correctly.

Beginning with lower-case letters and only the capital letters for the first letter in a child’s name, examples: Peter Rabbit, Sally Green, George Blue or Mary Shell.

Learning the correct lower-case letter formation also makes the transition from single letter formation to joined letter handwriting much easier.

Stage 3 – Joined Handwriting

Learning to join letters for handwriting enables children to develop a speedy, fluid and legible handwriting style.