Development

Vertical to Horizontal Surfaces for Handwriting

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Young children, due to the stage of their physical development, draw from the shoulder rather than the elbow and wrist using large arm movements. At this stage they often prefer vertical drawing and painting surfaces as it allows a free range of movements. This is often why young children will write on walls, not because they are being naughty but because it just feels comfortable and so more enjoyable.

Drawing and writing on a vertical surface is important at this stage; as it helps young children develop the wrist strength and flexibility they will need later on to hold a pencil correctly for handwriting.

The jump from a vertical to a horizontal writing surface can seem too great for some children; due to their stage of development. These children may benefit from the paper being positioned on a sloped board.

If you are not sure whether a child needs a sloped board for handwriting, instead of buying a specialist board, you could make one. Try using a ring binder or lever arch file stuffed with magazines and newspaper to make a sloped board. Tape the edges to stop the papers falling out; you could cover it in sticky back plastic to give a smoother finish to the board. The advantage of this is that you can make them to any angle of slope. Try a few to see which, if any, the child prefers.

A homemade sloped board is just as effective as a bought one. Often a child only requires one for a short amount of time and quickly moves to writing on a horizontal surface. For a few children a sloped surface may be required for a few years, or indefinitely, in which case a purpose bought sloped writing board is a sounder investment.

Transferring handwriting skills from worksheets to paper 

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At Teach Children our aim is to move children off of worksheets as soon as possible. To achieve this, it is important to encourage them to transfer their skills to plain or lined paper whichever is most appropriate to their ability level. We realise that it is not always possible to buy paper with the appropriate line height in all cases, so would recommend creating your own on the computer.

  • Use a combination of worksheets and lined paper in each handwriting session with your child:
  • Use the colour worksheet, or a grey scale version, and complete one or two rows.
  • Then encourage the child to try the same patterns or letters on appropriately lined paper, again try one or two rows only.

Hopefully the worksheet will last over a couple of handwriting sessions and you and the child will see an improvement over the time. The sooner they learn to transfer their skills to paper the better.

We realise that printing off our worksheets and coloured lined paper can become costly so, to help reduce the costs:

  • Use a colour version of the appropriate worksheet initially and then try printing in grey scale. Children usually make the adjustment to grey scale well once they are used to how the picture clues and colours work.
  • You could also use the grey scale worksheets and colour the start of each row with the appropriate colour.

Making it Easier to Copy from the Board

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Copying accurately and quickly from a board at the front of a classroom can be a challenge at the best of times. For young children and those with specific learning difficulties it can be near on impossible. It is amazing how many children lose some, if not all, of a break time because they could not complete the copying task quickly enough in the lesson time.

The practise of taking information off the board has its uses and there are times when there is just no other alternative but it can be made more manageable, here are a few ideas which may help.

  • Make sure the child is sitting facing the board.
  • That they can see the board clearly.
  • That light is not reflecting off the board so that the writing disappears.
  • Try using a different colour marker pen for each line of writing (this way a child will be able to quickly locate the line they were copying from).
  • Or try numbering the lines so the child can more effectively find their way around the text.
  • Leave more of a gap between each line of writing so that each line is clearly visible from the back of the room.
  • Ask those children, who struggle copying, to start the first line of writing as you transfer the text to a smaller board which can then be placed at a more appropriate distance and level for them to continue copying from.
  • If you know the information that will need to be transferred to the child’s book then pre-prepare a text that can be given to the child to copy from. It may be in a different order or layout to that on the board; but it is the information and the child’s ability to access it, that is important.
  • Is a full sentence explanation always required or could the information be presented in another way such as a mind map or diagram which would be equally, or even more, useful to the child.

It can be surprising how frustrating and upsetting being asked to copy from the board can be for many children. So, anything that can help to alleviate these emotions and difficulties has got to be worth a try!

Treasure Hunts Develop both Handwriting & Language Skills

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The Easter Holidays are here, so here are some fun activities to keep children of all ages entertained whether we have rain or sunshine.

A treasure hunt is a great way to teach children directional language. Being able to understand directional and placement (prepositions) vocabulary is important for understanding everyday instructions such as ‘put your cup on the table’; ‘go along the hall and stop at the door in front of you’.

We also use this directional language to explain how to draw patterns and write letters, which is another reason why it is important for young children to be introduced to, and have a good understanding of, this kind of vocabulary.

Through treasure hunts you can introduce new directional and placement language in a fun and exciting way. There are a number of different ways to approach this:

  • You can give verbal instructions to the hidden treasure.
  • You could create a map for them to follow and ask them to talk you through the map, supporting them with new language as necessary.
  • You could use a mixture of verbal and map clues.
  • For older children get them to hide the treasure and give you instructions, or draw a map.
  • If you have more than one treasure and they are of different sizes make the larger ones more difficult to find.

The important thing is the language shared. Words and phrases to use are: left, right, straight on, forward, backwards, about turn, turn around, up, down, higher, lower, stop, next to, in front, beside, underneath, on top of, behind, on the left of, on the right of, outside, and inside.

Treasure hunts are a great whole family activity and you are never too young or too old to join in!

Hand Swapping Issues?

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Hand Swapping is a normal developmental stage in infants and young children and therefore, at this stage, not a sign that a child is uncertain of their dominant hand. However, this is not ideal for a child who has started school.

Hand swapping throughout a task is not necessarily a sign that a child is uncertain of their dominant hand.

There are two routes to tackling the hand swapping issue, the one to use depends on your answers to the following questions.

1. Does the child usually start with the one hand and then swap when that hand gets tired?

You can usually tell if this is the case because they may shake out or rub the tired hand and once it is rested go back to using it again. This is probably because their fine motor skills are weak. Through focused games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#hand ), the muscle strength and dexterity can be gradually built up in the dominant hand, which in turn will build their stamina so that the hand swapping will reduce until they stop it altogether.

Once you are sure of dominance gently discourage swapping hands by taking a break from the activity and coming back to it a couple of minutes later using the preferred hand.

2. Does the child use their left hand if items are presented on their left-hand side and their right hand if they are presented on the right-hand side?

In toddlers and young children this is expected. In older children however it could mean that they have developed a delay in their skill to cross the mid-line point. This developmental bilateral coordination skill is vital to develop and can be addresses through a range of simple games and activities (https://teachhandwriting.co.uk/handwriting-muscles.html#bilat ).

Choosing a Pen for Handwriting

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Choosing and using the right pen can help to avoid smudging; make handwriting look smarter and prevent hand strain when writing for extended periods of time. Everyone is different, so the type of pen required is different too.

There are three main points to think about when choosing a pen for handwriting:

  1. The type of ink it uses.
  2. The size and weight of the pen.
  3. The type of point it has.

1. Types of ink used:

  • Oil-based ink
    • The ink is quick drying and so does not smudge easily
    • The ink flows smoothly depending on the point style of the pen
    • Ink can stop and start for no apparent reason
    • Water-based ink
      • The ink does not dry as quickly as oil-based ink so can smudge
      • The ink flows very smoothly

2. Pen sizes and weights

Because pens come in different shapes, sizes and weights it is important for your child to try out a range of pen styles to help them find the best fit for them. Remember one pen style does not suit all, everyone’s hand size and finger length are different.

Things to consider when choosing a pen:

  • Does it feel too short or too long?
  • Does it feel too thin or too thick?
  • Does it feel too heavy or too light?
  • Some children like a smooth round pen shape.
  • Some prefer a textured round pen shape.
  • While others may prefer a hexagon shaped pen.

3. Pen points

Pens come with different point or nib widths and shapes. The size and shape of the point gives different line thicknesses and are usually purchased as point sizes: extra fine, fine, medium or bold (some will have a measurement on as well).

A fine pen point produces thin lines and some children will find this can help to make writing neater.

A medium and bold point give thicker lines which many may find smoother to write with, though the letter size may be slightly larger because of it.

Once again it is important that children try out a range of pen point sizes to help them find the best fit for them.

Remember one pen point style does not suit all, everyone’s fine motor skills and writing pressures are different.

The Move from Pencil to Pen

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Last week we looked at why pencils, rather than pens, are a good first tool for learning to handwrite.

Children can’t wait however for that magic day when the teacher moves them from pencil to pen. It really is a big moment and means more than just “I can write neatly”, for them it is an acknowledgement of their maturity (growing up) and a status symbol of intellect and ability in their eyes and those of their peers.

Moving from pencil to pen can have a dramatic effect on a child’s confidence and self-esteem.  I have seen how moving a child from pencil to pen can give them a new found confidence and self-belief in their own ability, because I showed my belief in them by making that gesture. They may not have had the perfect font style in pencil but moving to pen did improve their ability to form letters more freely and become more consistent in their formation.

It is difficult to put an age on when a child should move from pencil to pen because every child is different. Schools have different policies on when this should happen, with most tending to make the move at around the age of 8/9 years old. It should really depend on the child’s ability rather than their age, as well as the potential benefits the move may have to confidence and self-esteem.

It does not make sense to keep a child working with pencil until they have a perfect handwriting style because that may never happen. For many a neat, beautiful handwriting style may never be a reality.

Advantages of pens:

  • A good quality pen will give an even ink flow.
  • A more consistent hand pressure is required, helping to develop and maintain a fluid handwriting style (reducing hand strain).
  • Fibre tip and roller pens can give the same look and writing experience as a good quality fountain pen, but are far less messy (especially for left-handed people).
  • With the right pen everyone’s handwriting can look good, (I love my fountain pen for that reason).

Limitations:

  • Cheap biro pens require a lot of hand pressure and give an inconsistent ink flow (so not very different from pencils).
  • Cheap fountain pens can be scratchy and messy
  • Some schools will insist on using a particular type of pen which is not always good for all.

My tip would be to test a few pen types and weights to find out which ones your child finds the most comfortable and enjoyable to use. I realise this can be an issue if your child’s school insist on one type of pen. But if you can prove your child’s handwriting ability is great with a different style, I think it is worth talking to them about it.

Moving from pencil to pen is an important point in a child’s education, affecting their confidence and self-esteem, and like any transition stage it should be approached with thought and care.

Pencil Power!

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Why do we use pencils when we start to teach handwriting?

Modern classrooms use a range of technology, such as interactive white boards, so why are our children still using pencils when learning how to handwrite?

Pencils are a great first tool for learning to handwrite!

Why?

  • They come in different widths and lengths (to cater for the different gross and fine motor skills of the children).
  • Have different lead thickness and grades (soft to hard) of lead.
  • Provide varying degrees of resistance (depending on lead grade) which slows down the letter formation process enough for young children to have the control required to start to form their letters correctly. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.
  • As a child develops their handwriting skills to a more fluid handwriting style the pencil type can be easily changed.
  • Cheap and easily accessible.
  • A drawing medium which young children are already comfortable using.

Limitations:

  • Often a one size fits all approach to the pencil type, rather than tailoring to a child’s needs.
  • Difficulty in maintaining a good writing point, results in the child needing to use different levels of pressure, making handwriting hard work.
  • Over use of rubbing out mistakes (wastes time and develops a culture where making a mistake is seen as a failure). Making mistakes is how we learn; it is not failing!

 Pencils are practical in school:

  • With pencil, children find it more difficult to write on one another and their clothes.
  • You do not have a whole class of children clicking pens (Velcro is bad enough).
  • Pen lids are not constantly lost or being swallowed.
  • Pencils seem less of a problem when stuck in ears or up the nose.
  • They are cheap.
  • Pencils do not explode, leaving a mess all over the room and any child that happened to be in the room at the time.
  • Time not wasted by trying to suck the ink up out of the pen.

Handwriting is a complicated skill to learn and having the right tools for the job always helps. It is worth spending a little time with children using a range of pencil styles and lead grades to find ones that they find comfortable to use for handwriting. These will be different from those they use for drawing. As their handwriting skills develop so the type and grade of pencil they begin to favour will change.

The Right Handwriting Tool for the Job!

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As with learning any new skill the right tool at the right time can make a real difference to the whole learning experience as well as the outcome. Learning to handwrite is no different.

Young children due to their gross and fine motor skills ability require chunky shafted tools so that they can grip them effectively. This means they have a greater control over the tool and can achieve a more satisfactory outcome. If they are using a tool that is too thin, they will find gripping it difficult and have to keep changing their grip. They will have less control of the tool making the experience disappointing at best and discouraging at worst.

To help young children to store patterns and letter shapes formation into their motor memory it is important that the tools used provide a resistance rather than one that flows effortlessly over the writing/drawing surface. The greater the resistance the more the body can neurologically acknowledge (feel) the movement and help to send appropriate information to the brain.

Some of the best tools for young children to begin learning to draw patterns, shapes and correctly write letters:

  • Chalk on boards, walls or paths
  • Flip chart pens or large felt tips on course paper such as sugar paper
  • Using appropriately sized paint brushes on course paper or surfaces
  • Finger painting or finger drawing in sand, paint or cornflour mix
  • Finger tracing and then trying to draw the pattern, shape or letter straight afterwards.
  • Try chalking the shape or letter onto a blackboard and have the child use a damp sponge to wipe it off again (make sure the child starts in the correct place and moves correctly around the shape or letter to the correct finish point).
  • Appropriately sized crayons and pencils on course paper or card (non-shiny side of cereal boxes and corrugated card can be good fun and different to use).

As children begin a more formal approach to learning to form their letters correctly then appropriately sized and lead grade pencils are the best tool for the job. Pencil come in all widths, lengths and shapes. The key is to find the style of pencil which best suits the child and their stage of pencil grip development. Remember one size doesn’t fit all!

When a child has learnt to join their letters and has a good and consistent letter size and places all their letters on the writing line correctly in relation to each other, then it maybe they are ready to be moved to pen. It is important before moving a child to pen that they are writing with speed (appropriate for their age) and fluidity (comfortable writing all the letters of the alphabet lower and upper-case correctly). A child whose handwriting is slow and laboured may need additional support and time before being moved on to pen.

Does Your Child Have Weak Hands?

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There have been many articles over the last few years reporting the fact that children are struggling to hold pencils correctly for handwriting and drawing. The reasoning for this is more often than not based on our children’s use of technology and the effect this has on their hand strength and finger dexterity (Fine Motor Skills).

Poor fine motor skills and hand strength not only affects a child’s ability to learn and develop a good handwriting style it can make other grip patterns difficult to master as well. Power, precision, stability or a combination of all three are needed by children to compete everyday tasks such as dressing, picking up and carrying objects (especially small items), using a knife & fork, other tools and scissor skills.

To help improve their overall hand and finger strength check out our games page for ideas:  https://teachhandwriting.co.uk/games.html

Learning to hold a pencil in an appropriate grip is not the only grip style your child needs to develop, especially once they have started school. They will need to develop those which enable them to effectively use scissors as well as a knife and fork. If your child struggles with these activities it may be that they need to be taught how to form the grips correctly (as bad habits develop quickly and are difficult to change) or develop the appropriate hand and finger skills.

How to Hold Scissors

The tip of the thumb is in the top hole of the scissor handle while the tip of the middle finger is in the bottom hole. The index finger is on the bottom edge of the lower handle supporting and stabilising the scissors. The ring and little finger are curled into the palm (except if you are using large scissors as then they will fit in the bottom hole of the handle with the middle finger, to help create the cutting action).

The non-cutting hand should support the paper or item being cut; the thumb is on top of the paper and the fingers underneath, steadying and moving the paper.

How to Hold a Knife & Fork

The handle of the knife or fork lies diagonally across the top section of the palm. The ring and little finger wrap around the handle, the thumb sits on the side of the handle, while the index finger sits flat and straight on the back of the handle. The middle finger curls slightly around the handle so that when the wrist twists round, so that the knife blade edge or prongs of the fork are facing down towards the plate, the handle rests on the top middle finger joint area.